Search Details

Word: simonizing (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
Sort By: most recent first (reverse)


Usage:

...Aumont, the milkman, display the irrespressible smile that refuses to take life seriously. Although Chief Inspector Bray could appear in almost any country, the snooping vicar, played by Louis Jouvet, is far too sharp and sly for the English countryside. The Molyneux, however, played by Francoise Rosay and Michel Simon do an extremely good caricature of threadbare social-climbing, although Simon achieves part of his success through a slight resemblance to Charles Laughton...

Author: By Frank R. Safford, | Title: Drole de Dame | 5/16/1955 | See Source »

...left foot, and showed that he had control of one limb. Between confinements, his indomitable mother taught him the alphabet. When he was seven Christy spelled out MOTHER. It was one of the proudest moments that Christy Brown, now 22, reports in his autobiography, My Left Foot (Simon & Schuster; $3). From that moment, though unschooled, Christy went on to painting and writing stories, always with his left foot. Relying on that same limb, he had himself thrown into a canal by his brothers, and swam the first time...

Author: /time Magazine | Title: Medicine: Left Foot Foremost | 5/9/1955 | See Source »

...Choir was assisted by contralto Claire Smith, baritone Robert Simon, and six instrumentalists playing recorders, viols, lute and harp. The performance of one of Isaak's beautiful settings of the popular Innsbruck, ich muss dich lassen showed three ways in which such pieces were executed in the Renaissance: the first verse by chorus alone, the second by Simon and three instruments, the third by chorus and instruments combined. (The Durer water colors of Inns bruck in the exhibition made clear why so many people hated to leave the little town.) With Simon and a lutanist at hand, I wonder...

Author: By Caldwell Titcomb, | Title: The Renaissance Choir | 5/2/1955 | See Source »

Miss Smith proved to have a pleasing voice, though it was impossible to understand her words. Simon made every syllable perfectly clear. He was joined by soprano Ann Hollander and the two viols in an extraordinarily moving performance of the deservedly popular Ich sag ade; but why, the second time through, did they choose to end in the middle? The six instrumentalists turned in fair jobs, with the exception of Ich stund an cinem Morgen, whose rhythmic complexities, even on a second try, seemed to preclude staying together...

Author: By Caldwell Titcomb, | Title: The Renaissance Choir | 5/2/1955 | See Source »

TELEVISION PLAYS (268 pp.) - Paddy Chayefsky - Simon & Schuster...

Author: /time Magazine | Title: Books: TV in Print | 4/25/1955 | See Source »

Previous | 32 | 33 | 34 | 35 | 36 | 37 | 38 | 39 | 40 | 41 | 42 | 43 | 44 | 45 | 46 | 47 | 48 | 49 | 50 | 51 | 52 | Next