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...Steward's, the Merchant's and the Wife of Bath's. The dialogue is all in rhyming couplets, which is rather like spending the evening on a date with a metronome. The stories mainly feature an aging cuckold, a harridan somewhat uglier than sin, and a blonde mini-bombshell named Sandy Duncan, whom nature has cunningly fashioned for everything except acting. In the key roles of the Steward and the Wife of Bath, George Rose and Hermione Baddeley are formidable contenders for a much-needed Hammy Award...

Author: /time Magazine | Title: New Plays: Pilgrims' Regress | 2/14/1969 | See Source »

...Wages of Sin. The Thug modus operandi was to assume the guise of peaceful travelers. Joining parties with their victims, they would charm them right up to the moment at which one designated Thug would seize a doomed man's wrists while another Thug would strangle him from behind with a noose of white or yellow silk-Kali's favorite colors. Sometimes talented Thugs would play the sitar and coax their victims into singing, the better to expose their throats for throttling...

Author: /time Magazine | Title: Books: Throttling Down | 2/7/1969 | See Source »

...write? what sin to me unknown Dipp'd me in ink, my parents...

Author: /time Magazine | Title: Books: A Gulliver Among Lilliputians | 1/17/1969 | See Source »

...observing that John Steinbeck "tended to diminish humans to the condition of animals, to reduce his characters to their simple biological needs and desires," [Dec. 27] Edmund Wilson commits the critic's unpardonable sin of applying his own standards to another's work. For to make this observation, one must first assume that man is, as Christian philosophy dictates, the earthly king of the universe. This assumption, however, goes entirely against the grain of Mr. Steinbeck's philosophy, which was based upon an intense, pantheistic love of nature, and led him to "animalize" his characters in order...

Author: /time Magazine | Title: Letters: Jan. 17, 1969 | 1/17/1969 | See Source »

Alexander Pope left his own question unanswered, but a second look at his heroic couplet suggests that the Age of Reason, of which Pope was the prime English poetic voice, was not as innocent of depth psychology as a post-Freudian age might complacently assume. Pope's sin (in modern usage, his neurosis or maladjustment) is explored with devoted detachment by Peter Quennell in the first of a promised two-volume work on the little cripple whose verses fixed a thousand human insects in Formalin...

Author: /time Magazine | Title: Books: A Gulliver Among Lilliputians | 1/17/1969 | See Source »

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