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...scholarships and licenses for new businesses. Rigid citizenship requirements have been set up for the Chinese (Malays are automatically citizens), and the Borneo territories plan immigration restrictions to keep Chinese businessmen out. "Special privileges are like a golf handicap." rationalizes Malaya's Chinese Finance Minister Tan Siew Sin. "They are not to hold the Chinese down, but to help the Malays along...

Author: /time Magazine | Title: Malaysia: The Man Who | 4/12/1963 | See Source »

...call "a modern classic", "The Shakers", choreographed in 1931 by the late Doris Humphrey. It could have been left unresuscitated; few would have missed it. Miss Humphrey evidently felt that the Shakers were frightfully boring people, who, as the program tells us, "believed they could shake themselves free of sin and did not believe in marriage." Her piece begins with a prayer meeting that is totally mechanical and unsubtle. Although some prayer meetings may fit this description they do not make good material for dance programs. What naturally results is incredibly obvious choreography laid out in straight lines and circles...

Author: By Margaret VON Szeliski, | Title: The Dance Circle | 4/9/1963 | See Source »

...psychology some years ago and concluded that Boris was a hysteric and a manic-depressive. Boris' death, Hines has decided, is from cerebral hemorrhage, and he induces it onstage by temple-pounding. Bulgarian Basso Boris Christoff sees the tortured Czar as a man who "dies of his own sin, his own dishonesty-not heart trouble or mental illness." At the Met this season, operagoers have seen George London's Boris die twice (broken by the weight of genius); last week's schedule brought Giorgio Tozzi (a tender Boris enraged to death...

Author: /time Magazine | Title: Opera: The Boris Boom | 4/5/1963 | See Source »

...satirist, Lillian Hellman can still be cuttingly observant despite the familiarity of her targets, but she lacks the moral suasion of satire that comes from being half in love with what one loathes, cherishing the sinner while hating the sin. Her transparent disgust with her characters and all their works is contagious. Technically, she borrows from Edward Albee and the theater of the absurd, but the wobbly tone of her play shows that craft will not close a gap between generations. Lillian Hellman is still an arrested child of the '30s, and of its idée fixe that...

Author: /time Magazine | Title: Theater: Gathering Toadstools | 4/5/1963 | See Source »

...carries this message of brotherhood. Through his friendship with the eminently successful Whit Hofman, Pat Collins builds up a good business. But there is a hitch: Pat's wife loves Whit and seduces him. When their affair ends, Mrs. Collins confesses to her husband, and his world collapses. Not sin, but Pat's loss of his friend brings failure. He loses all faith in himself. As his world crumbles, Pat spends his evenings at a speakeasy where he befriends a lonely elderly millionaire who has spent 35 years writing a life of Nathaniel Hawthorne. The two become friends. Pat regains...

Author: By L. GEOFFREY Cowan, | Title: How Important Is O'Hara? | 3/21/1963 | See Source »

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