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...Most Dangerous Sin is the latest attempt to move Dostoevsky's Crime and Punishment from novel to movie, and on the whole the result is quite satisfactory, at least in one important respect. Dostoevsky was the greatest master of suspense the literary world has ever known, and this element of the Russian's craft is admirably preserved in the precarious transition to film...

Author: By Frederick W. Byron jr., | Title: The Most Dangerous Sin | 5/4/1959 | See Source »

...Vatican decree did not specifically mention excommunication, though it referred to the 1949 decree. Except in the most flagrant cases, offenders will be guilty only of grave sin against the church. But the decree is binding on Catholics everywhere, and it produced a strong reaction in Italy. Right-wingers were delighted ("A helpful clarification." purred one news agency), and left-wingers, who had welcomed the election of Cardinal Roncalli as a "liberal" Pope, were dismayed. Commented Rome's fellow-traveling newspaper Paese Sera: "We thought Pope John was a Pope of new coinage, but now he has raised...

Author: /time Magazine | Title: Religion: A Sword Is Raised | 4/27/1959 | See Source »

...Master's words. Buddha's teachings have some resemblance to those of the later Stoics: he argues that liberation is not gained by rites, liturgies, prayers, magic or sacraments, but only by the deliberate inner search for self. Most effective is right thought and right behavior. Sin does not offend any god, but only the man who commits it. This stern doctrine proved too barren for most men. Within 200 years, Buddha was transformed by followers from Master into Lord, and surrounded by all manner of legend, demonology and ceremonial...

Author: /time Magazine | Title: Foreign News: BUDDHISM-The Dalai Lama's Faith | 4/20/1959 | See Source »

...Notion of Sin, by Robert McLaughlin. A coterie of non-blue-chip sophisticates examined by a market analyst who knows both their prices and their values...

Author: /time Magazine | Title: THEATER: On Broadway, Apr. 20, 1959 | 4/20/1959 | See Source »

Besides the frequent tedium, there was a major sin of omission by not including any Chaplin in this movie. Despite the fact that he is well-known and represented elsewhere, it leaves a gaping hole, and deprives the film of what would probably have been its greatest sections. In lieu of him, the narration elevates Laurel and Hardy, who appear much too often, to the position of chief gods of silent comedy, a claim which cannot be taken seriously by anyone who has seen this movie...

Author: By Paul A. Buttenwieser, | Title: The Golden Age of Comedy | 4/20/1959 | See Source »

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