Word: sinatras
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Dates: during 1960-1969
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Class is a very hard quantity to define. Does Frank Sinatra have class? The Crown Prince of England? Does a Rolls Royce have more class than a Mark VII Jaguar? Does Jacqueline Onassis have class? How about Raquel Welch...
...shots of the people gaily swinging through the busy streets of Brazil's modern cities, qua qua. And there to help them is American business, working and playing to build a strong, free Western Hemisphere. The whole gang's on hand: Coke, Ford, General Motors, Shell, Texaco, Esso, Frank Sinatra, even Helena Rubinstein with American beauty standards. But the spoken narration puts this post-card Brazil into perspective, reciting figures on the present-day poverty of the Brazilian people, on the history of foreign profiteering. The Old and the New are but emblems of successive ruling classes, the monuments they...
...company that offers fancy quality at fancy prices. Before flying off to wed Aristotle Onassis, Jacqueline Kennedy stopped at Gucci's Manhattan shop to select a brown crocodile handbag. Darryl Zanuck had Gucci copy his favorite 30-year-old valise, and Capucine bought a leather dog carrier. Frank Sinatra recently sent his secretary to pick up a pair of moccasins. Other regular patrons include Rothschilds and Rockefellers, movie stars and magnates from several continents...
Unlike the pubescent teen-agers who once doted on Elvis and Frank Sinatra, the Jones fans are primarily well-coiffed young matrons. Jones has programmed his entire career style around his appeal to the mature woman, starting with the neat trim that edges his thick, curly head of hair, and continuing with his tuxedo and matching vest. "You can sing to the kids in a pair of denims, long hair and a sweatshirt," he says, "but not to the adults." ABC has had no trouble at all selling commercial spots to makers of sewing machines, bras, eye makeup and suntan...
...Saussy's friend Jim Webb (whose influence is evident in The Moth's "Midsummer Night"and "Morning Girl," available out of context as a single). Both composers create serious and elaborate structures by joining an array of classical forms with borrowings from the sentimental popular music written for Frank Sinatra, Tony Bennett and Hollywood romances. This approach wrenches hackneyed themes and metaphors into an instantly understandable genre-a musical pop art, but with the same dignity achieved by Charles Ives when he elevated cliches from Sousa and national anthems into symphonies...