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...prudent to keep a little on guard when talking about the figurative batterings of childhood. In Jeffreys' case, though, that turmoil seems to lie at the core of his music. Certainly it is what turned him to music in the first place. He remembers his mother playing Sinatra, Nat King Cole, Billie Holiday and the Mills Brothers, and he remembers, too, singing along with those old 78s by the time he was four. As he got older, he started listening to rhythm and blues: Sam Cooke, Jackie Wilson and, most of all, Frankie Lymon, whose high-flying vibrato could...

Author: /time Magazine | Title: Music: Anthems for the Mystery Kids | 6/15/1981 | See Source »

Donovan raised some $600,000 for Reagan's campaign and hosted a $200,000 fund raiser, featuring Frank Sinatra, at a country club owned by Schiavone Construction. Co-host of the event was Insurance Executive William McCann, who has been appointed Ambassador to Ireland. During the campaign, Reagan attended a rally with Donovan at a New York City site where Schiavone Construction, with the help of Masselli's Jo-Pel Contracting, was working on a new midtown subway tunnel. A source familiar with the construction project told TIME that Donovan introduced Masselli and another man indicted with...

Author: /time Magazine | Title: Bad Company? | 6/8/1981 | See Source »

When Elvis died at 42 in 1977, he made Frank Sinatra's signature tune his own Top Ten epitaph. "The record shows I did it my way ..." Wrong. As this ghoulishly riveting compilation of public performances (on TV, in movies and concerts) and home movies shows, Presley did it every which way but his. He began as an original-a white man who sang like an angry black and moved like a bad woman-and ended as a bloated amalgam of Liberace and Judy Garland. It was the standard show-biz tragedy, which Andrew Solt and Malcolm Leo document...

Author: /time Magazine | Title: Cinema: Rushes: May 25, 1981 | 5/25/1981 | See Source »

...ironic directorial comments are almost absurdist: After mob punks kill Joe for stealing their coke, his estranged wife Sally (Susan Sarandon) is left to dispose of the body. When she arrives at the hospital to take a look, there's a gala ceremony to christen its new "Frank Sinatra wing," and right down the hall from Joe's corpse peacock-plumed dancers are kicking their feet while a blow-dried singer (Robert Goulet) croons. "I'm glad to see you're born again, Atlantic City my old friend..." As Sarandon tries to phone Joe's parents to give them...

Author: By Scott A. Rosenberg, | Title: City of Blight | 4/16/1981 | See Source »

...face of the Abyss. It's easier to picture Mickey Spillane sitting there with a bunch of his corporate-thugs and coming up with the idea for a whole series of pulp thrillers. Maybe there's some meaning lurking in the fact that we were gushing over Sinatra while the French were building the Maginot Line. It doesn't really matter much. If Camus had seen Bob Rafelson's latest version of Postman, it would have inspired him to join the merchant marine...

Author: By Thomas Hines, | Title: Knock, Knock | 4/11/1981 | See Source »

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