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...worker for Kennedy' are entirely contrived. My relationship with Jack Kennedy was of a close personal nature and did not involve conspiratorial shenanigans of any kind." She said she met Kennedy in Las Vegas in 1960 at a party given by "a friend." The friend was Singer Frank Sinatra; one former Kennedy aide understood that Sinatra and J.F.K.'s brother-in-law, Peter Lawford, owned a piece of a nightclub where Judy once worked as a hostess. A month after she met the President, Sinatra brought her together with Giancana, who later introduced her to Roselli. Both gangsters...

Author: /time Magazine | Title: SCANDALS: J.F.K. and the Mobsters' Moll | 12/29/1975 | See Source »

LAMPPOST REUNION. A visceral bar-buddy reunion on the order of That Championship Season. The hero, possibly patterned on Frank Sinatra, is given tigerish animal magnetism by Gabriel Dell...

Author: /time Magazine | Title: The Theater: The Year's Best | 12/29/1975 | See Source »

...five songs going at once," he says with satisfaction. Beside the piano is a typewriter to which Paul, a 60-words-a-minute typist, turns to do the lyrics. It is the same machine on which he has tapped out such solid gold hits as My Way for Frank Sinatra, She's a Lady for Tom Jones and (You're) Havin' My Baby for himself. Recently he wrote something for New York, too: "I'm on my way back home to New York City/ On my way to where I used to be/ To leave...

Author: /time Magazine | Title: Show Business: Anka's Aweigh | 12/8/1975 | See Source »

That is the essential theme of Lampost Reunion by Louis La Russo II, and it is a first play of some consequence. The reunion is in a bar. The hero is Fred Santoro (Gabriel Dell), whose career and fame resemble Frank Sinatra's. He and his henchman (George Pollock) drift into a haunt that Santoro shared with a gang of cronies (mostly Hoboken, N.J., Italian-Americans) some 20 years before...

Author: /time Magazine | Title: The Theater: Charred by Life | 11/3/1975 | See Source »

...have their greatest field day with Howard's uncharacteristic tension. "Our show will have a different feel with Howard," Arledge had boasted. But alas, even Cosell's talent for sardonic invective was dulled. Obviously reading from cue cards, he made his finest hour seem 90 minutes long. Sinatra was not punning when he predicted: "This will be a millstone on American...

Author: /time Magazine | Title: Television: Due Bills | 9/29/1975 | See Source »

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