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That firm believer in men as islands unto themselves, Cinemactor-Crooner Frank Sinatra (TIME, Aug. 29), tolled the bells over two big deals he had in the works. First, Frankie and NBC abruptly called off their parleys about the network's lavish five-year contract offer of about $3,000,000 for his TV services. Then, he walked off the Maine location where he was to star in the movie retread of the musical Carousel. His excuse: production complications would have barred him from keeping a singing date in a Las Vegas pleasure dome next week. In Rome, meanwhile...

Author: /time Magazine | Title: People, Sep. 5, 1955 | 9/5/1955 | See Source »

Fairy Tale (Frank Sinatra; Capitol...

Author: /time Magazine | Title: Music: New Pop Records, Sep. 5, 1955 | 9/5/1955 | See Source »

...record company, from Columbia to Capitol. His voice came back, better than ever; record sales began to climb. He started to freelance in TV on a larger scale, and to look around for roles he really liked in the movies. Along came Eternity. "That's me!" said Frank Sinatra when he read about the roistering, ill-starred little Italian named Maggio. He wanted the part so badly that he offered to play it for only $1,000 a week, made only $8,000 on the picture...

Author: /time Magazine | Title: Cinema: The Kid from Hoboken | 8/29/1955 | See Source »

Almost magically, humpty-dumpty was together again. What was he like after his great fall, and his miraculous bounce back to the high wall of fame? In recent months, Frank Sinatra has managed to irritate a crowd of 10,000 in Australia, sue a well-known producer for breach of contract and make it widely known that he "would rather punch him in the face," display scorn in public for Marlon Brando, alienate the affections of Sam Goldwyn, mount a wide-open attack on another entertainer in a prominent newspaper ad ("Ed Sullivan, You're sick . . . P.S. Sick! Sick...

Author: /time Magazine | Title: Cinema: The Kid from Hoboken | 8/29/1955 | See Source »

...Lunches & Cadillacs. The Sinatra day usually begins about 10 a.m. with a mug of hot coffee and a grandiose scattering of transcontinental telephone calls. A dozen people crowd around him as the makeup-man goes to work, all trying to outshout each other and a blaring radio. Off to the set in a bevy of Cadillacs, where the mob grows to 50 or 100 until Frank suddenly stands alone against a sky-blue set and moves his mouth expressively, while his voice drifts out of a distant amplifier. At the first break he piles into a box lunch, then takes...

Author: /time Magazine | Title: Cinema: The Kid from Hoboken | 8/29/1955 | See Source »

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