Word: sinfonia
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...contrast, Monreal's second contribution, "Classical Symphony" to Prokofiev, shows off the company's technical powers and little besides. Ron Cunningham's "Holberg Suite," Frank Ohman's "Serenata," and Helen Heineman's "Sinfonia" do the same. Traditionally choreographed in alternating sections for soloists and the corps de ballet, the works don't give themselves the chance to develop a broader vision...
Lynn Chang, Stephen Hammer, Richard Yoder, and Yo-Yo Ma were the the soloists in Haydn's Sinfonia Concertante in B flat. Lynn Chang glowed in the limelight, playing the violin with just the right amount of youthful schmaltz, giving the entire piece energy and impulse. In their lesser roles, Richard Yoder's bassoon, Stephen Hammer's oboe, and Yo-Yo Ma's cello blended beautifully...
...only disappointments of the program were the Buxtehude setting of Ein feste Burg, an uninspired set of variations, and the postlude, the brilliant Sinfonia from Bach's Cantata #29 known in solo violin, solo organ, full orchestral, and Moog synthesizer versions. The Sinfonia was played brightly by strings and brass only to be let down by the organ. There was not enough bass registration to carry through the Church--in part, a design flaw of the Fisk instrument--but even the upper voices were too thin to compete with such a healthy orchestra. Coupled with a number of fingering lapses...
Mozart, Violin Concertos Nos. 1 to 5, Sinfonia Concertante for Violin and Viola, K. 364 (and other works) (David Oistrakh, soloist and conductor, Berlin Philharmonic; Angel, 4 LPs, $23.92). The riddle of the Sphinx is nothing compared with the mystery of Mozart interpretation. How else explain the existence of so many otherwise great men of music (Horowitz, Stokowski, to name but two) among the ranks of failed Mozarteans? David Oistrakh is emphatically not one of them. His playing (that curvaceous tone especially) has a touch of the romantic, but not enough to tarnish the piquant bloom of youth that imbues...
Mozart: Eine Kleine Nachtmusik, Sinfonia Concertante for Violin and Viola, K. 364, Symphony No. 32 (Academy of St. Martin-in-the-Fields, Neville Marriner conductor; Argo, $5.95). Whether accompanying French-horn players (see above) or reinterpreting the Baroque repertory (the Bach orchestral Suites, the Handel Concerti Grossi, Op. 6), Neville Marriner is one of the best and busiest maestros on the London recording scene. His Mozart, an artful shading of sinew, sensuousness and sonority, is as good as anything he does. Indeed, Nachtmusik is the freshest, rosiest reading of that serenade to come along in years...