Word: sing
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Dates: during 1920-1929
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...long known how to read, but only at its case and so has seldom been read. It has now learned to run. If the genius can sing to a typewriter on horseback it should attain the triumph to which such talents surely entitle...
...return she was to have had her long desired American debut as an opera prima donna. She did sing with the Company in Detroit, Albany, New London. She sang the difficult role of the Countess in Mozart's Marriage of Figaro, but under assumed names. Her appearance under her real name was to be reserved for Manhattan. In one Manhattan performance Mme. Walska was about to take her role, but stepped aside to enable a new singer to make her debut. She was to appear in the next performance of the Marriage of Figaro. But that performance never came...
...extra-curriculum activity, except to point out that in his enthusiasm he has perhaps forgotten some of its drawbacks. For it must of necessity lag behind parchesi in the development of fighting qualities, and its training is apt to make a young man totally unfit to write triolets or sing to anything but a bassoon. Perhaps the only thing an undergraduate does learn from it is not to take himself seriously for he has great opportunity to see how flippantly everyone else takes...
With great phrases about the dignity and sensitiveness of the artistic soul, Mme. Galli-Curci announced that she will sing with the Chicago Opera Company no more. The disagreement began, it will be recalled, with a quarrel about the opera with which the soprano should begin the present season (TIME...
...week, while still using its orchestra and chorus, it will give the leading roles to Baltimore singers. Thus, a beginning in the way of Baltimore opera will be made, the project can be continued until a permanent city institution has been formed and visiting stars can be invited to sing along with the Baltimoreans...