Word: sing
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Dates: during 1960-1969
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...loud lady," she says, striking the well-known hands-on-hips pose. "No crooner, I." Next is Almost Like Being in Love. Then The Trolley Song, and by now the fans are clanging time with their feet. For Me and My Gal turns into a community sing. She wonders: "What should I do now?" Man in the mezzanine: "Just stand there." Judy: "I get too scared to just stand there?guess I'd better sing." On to more oldies like Swanee. A standing ovation for Old Man River. She sits down, her legs dangling over the edge of the stage...
...edict, all students are expected to engage in factory work, farming and military affairs, and also consume heavy doses of the works of Mao; in those primary and secondary schools that are open, instruction is limited to one to two hours of morning classes, during which pupils read, chant, sing and dance the messages of Chairman...
...Maracanazinho Stadium included favela dwellers and members of Brazil's lower middle class, their swarthy faces reflecting their country's racial mix. Decorously dressed in black suits and flowered dresses, they were moved by evangelical zeal: when a 2,000-voice choir began to sing, everyone joined in. Afterward, a trickle of shouted individual prayers grew into a waterfall roar. Last week's rally, at the Eighth Pentecostal World Conference, eloquently illustrated the power and missionary success of one of the century's fastest-growing religious movements...
...star of the film is clearly the chorus; and the whole production seems to be organized around the chorus as a focal core. They sing beautifully together and are right on pitch. Violet Teass wrote the fine choral chants. And Henry Hallstrom's extensive musical score, played by 21 members of the National Symphony Orchestra, is unusually distinguished and carefully synchronized. No less expert is the chorus' dancing of Eleanor Struppa's choreography. Executed with precision, the dancing adapts most effectively the modern Martha Graham stylistic approach...
...SIBELIUS: CONCERTO IN D MINOR (RCA Victor). Itzhak Perlman, the 21-year-old Israeli violinist, has already made an impressive name for himself in the concert circuit. This is his recording debut, and it confirms his growing prestige. He manages to make Prokofiev's percussive, rather frantic concerto sing, and his considerate understanding of Sibelius' darkly sad Romanticism is powerful. Conductor Erich Leinsdorf's Boston Symphony gives Perlman rich support...