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Word: singe (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...would seem the question is who didn't like Don Bolles? Fingers point at Ned Warren, born Ned Waxman in Boston, ex-convict who spent six years in Sing Sing for taking $39,000 to produce The Happiest Days, which never ran on Broadway, a la The Producers and a hot shot land promoter during the '60s boom. In 1967, a little more than a year after he left it, his company, Western Growth Capital, went under, leaving hundreds of investors holding the bag. None have been compensated. Nobody went to jail...

Author: By Joseph Dalton, | Title: The Lonesome Death of Don Bolles | 10/1/1976 | See Source »

...Vanguard days; the ups and downs of working with movie personalities are shown as fairly level. Occasionally the tensions of Hollywood or Broadway emerged onstage. "We knew this was going to be a big one," said Green introducing a number, "because our dear friend Lena Horne was going to sing it. Now we'd like to sing the song as it was sung on opening night by Dorothy...

Author: By Eleni Constantine, | Title: Old Tunes | 9/28/1976 | See Source »

...last grandes dames of New Orleans society, had a Haitian cook who seasoned her gumbo with a voodoo prayer. "Getting directions from colored cooks," Harriet Ross Colquitt wrote in The Savannah Cookbook, "is rather like trying to write down the music to the spirituals which they sing -for all good oldtimers (and newtimers too) cook...

Author: /time Magazine | Title: THE SOUTH - MODERN LIVING: A Home-Grown Elegance | 9/27/1976 | See Source »

...turns even a wounded smile into a leer, and when he finally holds Veronique's passive head on his shoulder, patting her hair and closing his eyes, his emotional wince seems to say stupidly "God, I'm sensitive, God, I'm sensitive." (If you've ever seen Anthony Newley sing "What Kind of Fool...

Author: By Mark T. Whitaker, | Title: Should He or Shouldn't He? | 9/24/1976 | See Source »

Strehler's directorial premise is so old-fashioned that it seems new. The most important thing he does for singers is to make sure they are placed where they can sing best. If the dramatic situation demands it, he will not flinch from asking Macbeth to sing lying down or Lady Macbeth to sleepwalk across a ledge. But he is never gratuitous about imposing feats of physical endurance. Says Francesco Sicilian!, La Scala's artistic consultant: "He never betrays his material in order to make an audience burst into applause at his daring." Strehler would go along with...

Author: /time Magazine | Title: Music: Unlocking the Essence of Opera | 9/20/1976 | See Source »

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