Word: singed
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Dates: during 1950-1959
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...will tell you, for I know. There are no men who think symbolically. There are no artists who understand the myth. These are no times to sing of the Abstract and the investigating subcommittee...
...counseled the children as they spoke, one heart to another. I understand the idiot's smile. I sing of the simple savage...
...disguise as well as in and out of other people's pockets, makes the most of him, with his funny figure-4 stances, his weatherbeaten hat and purple beard, and his tooth-picking and fingernail-cleaning. The bit in which he joins with Barbara Barrie and June Ericson to sing a three-voice ballad is supremely hilarious...
...Monarch Jones opened his new club's rolls to anybody a chapter voted to invite, made community service rather than business the organization's avowed goal. Taking the noble lion as his symbol, Jones injected a cubbish mood by teaching the boys to sing such rousing tunes as the official Roar, Lion, Roar at almost any meal. Though many a Rotarian and no few Kiwanians would continue to frown down upon lively Lions, the Jones ideas infected the older clubs (the Kiwanis motto has been changed from "We Trade" to "We Build"), and the Lions thrived first...
Soft Shoe & Music Lessons. By song's end, River City knows that it has trouble all right, and the audience knows that Bob Preston is the hottest performer on Broadway. Gliding tirelessly through scene after scene, he sings in an unpretentious, mellow baritone, turns Seventy-Six Trombones into as rapturous a piece of high-stepping bravura as ever brought down a house. His portrayal of a likable cad is a fine job of acting, but he does more than act and sing. He kicks a mean one-step, dances the Castle Walk. And in an inspired number that...