Word: singed
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Dates: during 1950-1959
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...flaming youth. Currently, the symbol of both is a girl with waist-length black hair, cat's eyes and a fox smile who could be seen last week on the stage of Osaka's Kitano Theater. As she closed her eyes, and with hips swaying began to sing (in alternating English and Japanese verses) an excruciatingly off-key version of Banana Boat Song, her quivering fans rose from their seats and screamed with delight. At 18 Michiko Hamamura is touted, more or less correctly, as "the hottest property in Japanese show business...
Michiko shot to her present eminence by a maneuver familiar to Hollywood: posing in the seminude. The daughter of an Osaka metal-shop owner, she arrived in Tokyo when she was 15 seeking a singing career, but was bluntly told by the first recording company she went to that she could not sing. Nevertheless, she got singing engagements in U.S. Army camps, picked up a smattering of English, and went on the nightclub circuit. There Photographer Tateyuki Nakamura spotted her, persuaded her to pose in black silk stockings and little else. The photograph, when it appeared in a magazine...
Even before Pinza got out of the army at 27, he won a chance to sing the Count des Grieux in Manon in Rome. After that, his career picked up a dizzying momentum. Toscanini invited him to sing at La Scala, where he scored such a hit in Boito's Nerone that in 1926 Metropolitan Opera Manager Giulio Gatti-Casazza signed...
...merely an amiable, drink-swilling traveler -Composer Egk accompanies them with a staccato, dissonant score pricked by brisk and frequently shifting rhythms. Old-fashioned opera buffs will be startled by the spare arias, which are stripped to a few essential Greek-chorus phrases (in his first aria, the prefect sings over and over again: "Clean shirts, clean nightcaps, Latin mottoes over the beds"). Egk also allows the singers to sing their essential recitatives against the support merely of a sustained bass. The result is an opera that moves with beery gusto and at a breathless, never confused pace...
Hollywood's answer to Harriet Stowe has an antebellum South where slaves sing in King Cotton's fields, and dance joyfully to the amusement of the kindly massas from the Big House. The South will not endure the North's dictation, and so her sons ride off from Wingate Halls garlanded with tears and cheers, to christen the Stars and Bars in Yankee blood at Bull Run. Though the war ends with Lee's majestic surrender to sloppy old Grant, the wounded sons return home to begin a spirited restitching of their tattered Dixie-land until Lincoln--brave, tall...