Word: singeing
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Dates: during 1990-1999
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...music, with the spirit of girl power behind it, the concept of feminism is often misapplied. Look how the label is tossed about: female singers like Meredith Brooks and Alanis Morissette are installed as icons of woman power (alongside real artist-activists like Tori Amos) simply because they sing about bad moods or boyfriends who have dumped them. In the late '60s, when the label was applied more sparingly, no one thought to call Nancy Sinatra a feminist, and yet if she recorded These Boots Are Made for Walkin' in 1998, she'd probably find herself headlining the Lilith Fair...
...Ricardos' kisses showed the spark of real attraction. In the episode where Lucy finds out she is pregnant, she can't break the news to Ricky because he is too busy. Finally, she takes a table at his nightclub show and passes him an anonymous note asking that he sing a song, We're Having a Baby, to the father-to-be. As Ricky roams the room looking for the happy couple, he spies Lucy and moves on. Then he does a heartrending double take, glides to his knees and asks, voice cracking, whether it's true. Finishing the scene...
There was energy aplenty in these films and songs--an undying verve and assurance. But the energy was controlled, confined by the need for universal acceptance. In a homogenous culture you want everyone to see your movie, listen to your radio show, sing your song. That meant playing by the rules. Even the pioneer rebel Paul Robeson did that, speaking eloquently, singing handsomely, shrouding his revolutionary sexuality...
...flight simulators that let you pilot a jumbo jet, Harmonix's music simulator, he says, "takes the hard part away from music, the mechanical part. We're giving you the fun of it without having to work for it." Who says you have to suffer if you want to sing the blues...
...early 1960s, he rattled art culture with garish silk screens of Hollywood sirens and Campbell's soup cans, of Sing Sing's electric chair and car-crash scenes pulled from the pages of the daily papers. The jolt of the work was its off-register blear, its bright-crude colors; but more so, his icy message that the whole world was product. If everything is reducible to an assembly-line image for sale, then Marilyn, Brillo, cows, Elvis and tabloid death are all equal--and equally convertible to cash. Warhol summed up his career with the words, "I started...