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...five pairs of parents’ penny loafers). Tommy Doyle’s great upstairs venue was well-lit with a low-slanted cabin ceiling, a small but very visible stage, and good sound. In fact, despite the weirdly-placed U2 Elevation tour poster hanging right above the lead singer??s head, there’s hardly another venue in the Square better suited for this kind of show. Veritas Records CEO Caitlin V. Crump ’10 kicked things off by explaining the prizes and the grading system that would be used by the judges?...

Author: By Ross S. Weinstein, CRIMSON STAFF WRITER | Title: LINEAR PERSPECTIVE: Rockus | 3/5/2009 | See Source »

Juana Molina’s music might be best classified as electro-folk-acoustic-world-ambient-avant-garde—which is to say that any attempt to categorize the Argentine singer??s style is nearly impossible. A more effective approach to her performance at the Brattle Theatre yesterday would be to think of entering a parallel universe where randomness provides the only order to bird calls, electronic rhythms, and hauntingly dissonant harmonies. Don’t try to understand—the music resists interpretation and relies on enigma. Molina, whose lyrics are mostly in Spanish, subscribes...

Author: By Jessica M. Righthand, CRIMSON STAFF WRITER | Title: Molina Brings Eclectic Style to Brattle Theatre | 2/27/2009 | See Source »

...take up to five years to be catalogued. “These are irreplaceable, so ultimately their access will be limited for research uses,” Guerra said. Alison Weinstock, who created a Web site that catalogs Blades’s music, is coordinating the acquisition on the singer??s behalf. Weinstock originally approached Widener Library about holding the collection, but ultimately the work—which is primarily composed of musical artifacts—was placed in the Loeb archives. “The Loeb is a perfect home for his work,” Weinstock...

Author: By Helen X. Yang, CRIMSON STAFF WRITER | Title: Loeb Music Library gets large collection based upon career of Panamian salsa singer Rubén Blades | 1/15/2009 | See Source »

Something’s different about Ashanti’s new video for “The Way That I Love You,” and it’s not just her hair. An overwhelming amount of the R&B singer??s past videos show her singing submissive, vocally unimpressive choruses for subpar rappers. The archetypal image that comes to mind is Ja Rule rapping into the camera while Ashanti stares adoringly at him and provides some background noise. In “The Way That I Love You,” though, Ashanti is the video?...

Author: By Rachel S. Park, CONTRIBUTING WRITER | Title: POPSCREEN: Ashanti | 3/7/2008 | See Source »

Time is distorted throughout the video in a vain attempt to imbue lame visuals with significance. An awkward couple hooks up on a couch and a droplet of water falls from a faucet first forward and then backward. This convoluted series of events is intended to signify the singer??s retrospection, but instead just comes off as confusing...

Author: By Francesca T. Gilberti, CONTRIBUTING WRITER | Title: POPSCREEN: The Fray | 12/14/2006 | See Source »

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