Word: singer
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Dates: during 1990-1999
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...Todd Rundgren. In No World Order, the veteran singer and producer (Meat Loaf, Grand Funk Railroad) has created the first do-it-yourself album. Listeners with CD-i players can customize any of the 10 tracks to their tastes. They can change the tempo (between 86 and 132 beats a minute), the mix ("natural," "spacious," "sparse" or "karaoke"), the mood ("bright," "happy," "thoughtful," "sad" or "dark"), even the form ("creative," "standard" or "conservative"). They can hatch new sounds by sampling the 933 snatches of music in the data base. Did you ever want to play the chorus of a favorite...
...Peter Gabriel. The Genesis grad, whose music videos (Sledgehammer, Steam) have been pixilated eye-poppers, offers options galore in his CD-ROM Xplora 1: Peter Gabriel's Secret World. First you put the singer's face together, which means choosing from a screenful of different mouths, noses, eyes and ears. "You'll know when you've got it," says Mr. Computer Potato Head while you give him a facial. This achieved, you must decide what to do next: Watch one of his music videos? Thumb through his old baby pictures? Choose various cuts by musicians from around the world...
...Reggae singer Luko Adjaffi said snowyconditions forced him to move his performance fromoutside Out of Town News to inside the Harvard Tstation...
Sophie Vasseur (Romane Bohringer) has eyes made for adoration. They are large, dark, serious, so very intense; they might belong to a puppy just saved from the city pound. Sophie's eyes have found their love object in Irene Brice (Elena Safonova), a concert singer in occupied Paris during World War II. Talented and high-spirited, apparently gliding through life, Irene can juggle the affections of a businessman husband (Richard Bohringer) and a lover (Samuel Labarthe) who is in the Resistance. Sophie, a promising pianist, is pleased to be Irene's accompanist and maid; she serves tea, irons, watches, tries...
...Vegas impresarios took a dying strain of vaudeville and turned it into a highly particular Vegas style. Gamblers from Duluth and Atlanta came to see only-in-Vegas entertainments: Sinatra, Streisand, stand-up comedians, the trash rococo of Liberace, both flaunting and denying his gayness; hot-ticket singer-dancers like Ann-Margret; and shows with whiffy themes that existed as mere pretexts for bringing out brigades of suggestively costumed young women jiggling through clouds of pastel-colored smoke as overamped pop tunes blared. It was cheesy glamour, to be sure, but it was rare and one of a kind...