Word: singerly
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...Cher hit "Believe." In the first verse, when Cher sings "I can't break through" as though she's standing behind an electric fan, that's Auto-Tune--but it's not the way Hildebrand meant it to be used. The program's retune speed, which adjusts the singer's voice, can be set from zero to 400. "If you set it to 10, that means that the output pitch will get halfway to the target pitch in 10 milliseconds," says Hildebrand. "But if you let that parameter go to zero, it finds the nearest note and changes the output...
Like other trends spawned by Cher, the creative abuse of Auto-Tune quickly went out of fashion, although it continued to be an indispensable, if inaudible, part of the engineer's toolbox. But in 2003, T-Pain (Faheem Najm), a little-known rapper and singer, accidentally stumbled onto the Cher effect while Auto-Tuning some of his vocals. "It just worked for my voice," says T-Pain in his natural Tallahassee drawl. "And there wasn't anyone else doing...
Plenty of critics raved about West's use of Auto-Tune, but T-Pain is often dismissed as a novelty act. (Not that he minds: "I'd rather be known for something than unknown for nothing.") But unlike most singers, he acknowledges the impact Auto-Tune has had on his career. Of the half a dozen engineers and producers interviewed for this story, none could remember a pop recording session in the past few years when Auto-Tune didn't make a cameo--and none could think of a singer who would want that fact known. "There's no shame...
...year-old pilot named Roger Peterson had agreed to take the singer to Fargo, North Dakota - the closest airport to Moorehead. A snowstorm was on its way and the young pilot was fatigued from a 17-hour workday, but he agreed to fly the rock star to his next gig because, hey, he would be flying Buddy Holly. The second show ended at midnight. The musicians packed up their instruments and finalized the flight arrangements. Holly's bass player, Waylon Jennings, was scheduled to fly on the plane but gave his seat to the Big Bopper, who was suffering from...
...Sofia Coppola's movie Marie Antoinette, with its lush rendering of the decadence of the court of Louis XVI. The rush of young Japanese women to emulate the look of 18th-century French aristocrats has grown from a fad into something of a movement, whose leader is the popular singer Ayumi Hamasaki. It even has its own magazine, Koakuma Ageha, with a circulation of 350,000. If Coppola's movie created the wave, Osaka-based Jesus Diamante was ready to ride it. Established in 2001, the label had offered luxurious clothing styled for a hypothetical heiress with a likeness...