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Word: singers (lookup in dictionary) (lookup stats)
Dates: during 1930-1939
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Usage:

TIME, Nov. 25 said: "In the worst U. S. opera ever produced at Manhattan's Metropolitan Opera House there appeared last winter a soprano so shapely, so vividly blonde that she seemed more like a transient from Hollywood than a potential singer of real grand opera. In the Pasha's Garden was such a flaccid, sterile piece, offered such feeble opportunities that critics would only say that Helen Jepson was unusually pretty...

Author: /time Magazine | Title: Letters, Jan. 6, 1936 | 1/6/1936 | See Source »

...point of the performance: shrill Gracie Barrie singing I've Got To Get Hot, a ballad about a choir singer turned crooner which includes the following tristich: I've squelched my ideals, Now I belch at my meals...

Author: /time Magazine | Title: The Theatre: New Plays in Manhattan: Jan. 6, 1936 | 1/6/1936 | See Source »

...sale: brand new wedding gown, never been worn." More amusing was the scene wherein a chorus director was driven to distraction by a particularly inept performer who subsequently advertised herself as a "well trained, highly musical danseuse, accidentally still disengaged." Trudi Schoop appeared first as a blowzy-looking singer in a tawdry cabaret. She gesticulated and grimaced wildly until finally she was shot. The advertisement: "Wanted immediately: leading chanteuse for first-class establishment...

Author: /time Magazine | Title: Music: Comic Dancer | 1/6/1936 | See Source »

With each change of opera there was some new singer. German Baritone Eduard Habich was the tipsy, loud-mouthed father in Hänsel und Gretel. Baritone Julius Huehn from Pittsburgh made a sonorous herald for Lohengrin. Chase Baromeo of the late Chicago Civic Opera was the High Priest in Aïda. Chilean Carlo Morelli went through the customary antics as Marcello...

Author: /time Magazine | Title: Music: Metropolitan's Week | 12/30/1935 | See Source »

...Wettergren had received flaring advance publicity when she arrived in the U. S. month ago, asked two ship-news reporters to kick her "for luck" (TIME, Dec. 2). Her performance last week proved that she could rely on something sounder than luck. She is an accomplished, rich-voiced singer with a commanding stage presence and a fine flair for acting. As Amneris she was regal enough to be a king's daughter. Throughout the performance she maintained more of the grand manner than any one on the stage, although John Charles Thomas projected a noble dignity as the captive...

Author: /time Magazine | Title: Music: Metropolitan's Week | 12/30/1935 | See Source »

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