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...sleep. But the album does contain some promising music. Noteworthy tracks include "Last Weeks of the War" and "City of London," the latter of which contains traces of the Mekons' punk roots. The melodic voice of Sally Timms also deserves much praise; it's a shame she doesn't sing the lead vocals for more of the songs...

Author: By Yvonne Garcia, CONTRIBUTING WRITER | Title: Album Review: The Mekons, Journey to the End of the Night | 3/3/2000 | See Source »

Twenty-five years ago, Kathy E. Manning '78 wanted to sing in an a cappella group. And since there were no groups that included females, she started her own: the Radcliffe Pitches...

Author: By Marla B. Kaplan, CRIMSON STAFF WRITER | Title: Busy Weekend for A Cappella Groups: Pitches Celebrate Anniversary; Callbacks Win Quarterfinals | 2/28/2000 | See Source »

...incredible that you can mix groups of people from all different years that knew the same music and sing," she said. "It's really inspiring...

Author: By Marla B. Kaplan, CRIMSON STAFF WRITER | Title: Busy Weekend for A Cappella Groups: Pitches Celebrate Anniversary; Callbacks Win Quarterfinals | 2/28/2000 | See Source »

Most priests won't turn supplicants away, but Brazil's Padre Marcelo Rossi, 31, must--or risk a riot. Second only to the Pope, the 6-ft. 4-in. priest is the greatest crowd gatherer in the Roman Catholic world. His appeal? After Mass, he sings and dances the Lord's praises in an electric whirlwind that he has termed, appropriately, "the aerobics of the Lord." While his followers sing along, he executes choreographed jumps, leaps and twists that the faithful try to copy. And when the spirit moves the Father especially vigorously, he will pour buckets of holy water...

Author: /time Magazine | Title: Padre Marcelo Rossi | 2/28/2000 | See Source »

...full assurance. Lane Shadgett '00, the director of the Opera, comments, "Michael McNabb '02, our music director, brought the orchestra and singers together much earlier than is normally done in productions like this...This helped keep the orchestra interested in the production, and gave the singers the confidence to sing aggressively." The orchestra's preparedness and togetherness certainly gave the show a firmness and competence that added to the solidity of the performance as a whole...

Author: By Jill Kou, CONTRIBUTING WRITER | Title: Magic Kingdom | 2/25/2000 | See Source »

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