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Word: singher (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

Stone and Mr. Michel Singher, the musical director, keep everything going at a good clip, so that a very long show doesn't drag. Mr. Lewis H. Smith was responsible for the costumes, and he, too, must be praised: they are very colorful and dashing...

Author: By Anthony Hiss, | Title: Ruddigore | 4/20/1962 | See Source »

...thirty people who attended Wednesday evening's concert in Paine Hall by John Wiseman, baritone, and Michel Singher, piano, heard by far the best of the three Harvard-Radcliffe Music Club recitals this year. Wiseman, an apprentice artist with the Santa Fe Opera Company this past summer, sustained a splendid resonance from a Handel lyric through the complete cycle of nine songs by Faure...

Author: By Wilson LYMAN Keats, | Title: Voice Recital | 12/16/1961 | See Source »

...Michel Singher '62 complemented Mr. Wiseman throughout. His performance of the Faure accompaniment was in itself a creditable piece of pianism, even if, at times, he tried to drown Mr. Wiseman...

Author: By Wilson LYMAN Keats, | Title: Voice Recital | 12/16/1961 | See Source »

Fauré: La Bonne Chanson (Martial Singher, baritone, and instrumentalists from the Marlboro Music Festival; Columbia; and Gerard Souzay, baritone, accompanied by Dalton Baldwin, piano; Epic). Two new recordings of the nine songs Faure composed to the cycle of poems addressed by Verlaine to his fiancee ("One bright summer day the sun will second my joy The sky like a tall tent will wave around us"). As might be expected of the two leading interpreters of French art songs, both readings are of first quality. Singher, at his peak, is marred only occasionally by an overexpressive wobble. Souzay...

Author: /time Magazine | Title: Music: Classical Records: Aug. 11, 1961 | 8/11/1961 | See Source »

...disappoint to see the Bach Society let down its patron saint after serving his successor so handsomely. An ensemble of ten strings, supported by Michel Singher '62 on the harpsichord, was foiled by the virtuosic demands of the Great Man's Brandenburg Concerto No. 3. Intonation was faulty throughout, if not in the 'celli, than in the violins; the resultant thick texture took the edge off of Mr. Lazar's intimate and a bit over-respectful interpretation...

Author: By Ian Straspogel, | Title: Bach Society Orchestra | 10/24/1960 | See Source »

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