Word: singin
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...colorful misery." Home again in Texas, Joe started working some of those miserable shades into songs. There were several false starts and at least one more hard-times visit to New York, where, Ely recalls, "I was mostly singin' in the subways and in front of Bloomindale...
...character like Billy McCoy, who makes Rocky Balboa sound as cynical as Céline, has not graced movies since John Wayne's "Singin' Sandy" westerns of the mid-'30s. His nemesis turned girlfriend recalls the snooty madcaps of the old screwball comedies. Sondra Locke is no Carole Lombard; indeed, Bronco Billy would have benefited from the presence of a more elegant, less abrasive actress like Jill Clayburgh or Blythe Banner. But Locke strong-arms her way into your affections at about the time Billy wins her over, and by the end of Bronco Billy...
JANIS JOPLIN would have detested The Rose. Starring Bette Midler, this thinly-disguised biography chronicles the epic self-destruction of Rose, a white woman from the south, singin' the blues. Director Mark Rydell clearly knows how to hack at the heartstrings; the very first shot of the film identifies Rose, i.e. Janis "pearl" Joplin, with the other self-destructive heroes of our culture, Marilyn Monroe and James Dean. As the biography of a real woman, The Rose reveals nothing. It takes a marvelously idiosyncratic human being and reduces her to a cliche...
...billed as a celebration of country music: two hours of pickin' and singin' to benefit Washington's Ford's Theater. Just about all of country's constellations were there to shine: Cash, Clark, Fender, Gatlin, Hall, Mandrell, Milsap, Monroe and his Blue Grass Boys, the Oak Ridge Boys, Rabbitt, Rich, the Statler Brothers, Stevens, Tillis and West. Presiding over the show was country's foremost devotee. Jimmy Carter embraced Singer Dolly Parton, with First Lady Rosalynn Carter's approval. They were, after all, huggin' cousins. Parton's home town of Sevierville...
...obeying the rules of classic American musical comedy: dialogue, plot, song and dance blend seamlessly to create a juggernaut of excitement. Though every cut and camera angle in Hair appears to have been carefully conceived, the total effect is spontaneous. Like the best movie musicals of the '50s (Singin' in the Rain) and the '60s (A Hard Day's Night), Hair leaps from one number to the next. Soon the audience is leaping...