Search Details

Word: singings (lookup in dictionary) (lookup stats)
Dates: during 2000-2009
Sort By: most recent first (reverse)


Usage:

...broke from the melody to yell, “I accept!” before returning to it to sing, “Richard Gere saves...

Author: By Abe J. Riesman, CRIMSON STAFF WRITER | Title: Oh, What a 'Knight,' as Gere Nets Pudding Pot | 2/25/2006 | See Source »

...lyrics, written by members of the Hasty Pudding Theatricals (HPT) and handed to Gere just seconds before he had to sing, were just one part of an evening of ribbing and ribaldry to honor Gere, their 43rd Man of the Year...

Author: By Abe J. Riesman, CRIMSON STAFF WRITER | Title: Oh, What a 'Knight,' as Gere Nets Pudding Pot | 2/25/2006 | See Source »

...distorted, angular guitar riff; in a decidedly non-Western move, melody seems to support rhythm, rather than the other way around. Some of the tracks downplay the innovation of electric/acoustic fusion in favor of emphasizing the blended cultural milieu of the music and Kinshasa. Masanka Sankayi sing one of their songs in French. Bolia We Ndenge introduce an accordion into their music and shout that it “comes from Belgium,” the country’s old colonial master. But the sound of the colonists’ instrument hardly seems imposed; it fits flawlessly into...

Author: By Catherine L. Tung, CONTRIBUTING WRITER | Title: Congotronics 2 | 2/23/2006 | See Source »

...Both soloists are prominent members of the Harvard Radcliffe Orchestra and the Brattle Street Chamber Players. Aaron L. Berkowitz, a Ph.D. candidate in Music, who has played for such illustrious musicians as Misha Dichter and Joseph Kalichstein, will perform Piano Concerto No. 23, KV488: Adagio. Amanda Forsythe, soprano, will sing “Misera, dove son!,” KV369 with her silvery tone. Forsythe, who recently made her recital debut in New York, is a winner of the George London Foundation Awards and the Walter W. Naumberg Foundation Award, among others. Finally, actor Jess R. Burkle...

Author: By Anna F. Bonnell-freidin, CONTRIBUTING WRITER | Title: 'Mozart 250th Anniversary Celebration' | 2/23/2006 | See Source »

Therein lies a shocking, but central paradox of any audition process: in the final stretch, the directors’ knowledge of the characters is tested far more than the actors’ abilities. The individual actors all can sing, dance, and act. What matters is the director’s vision—he has to know exactly who will make the best possible Roxie or Velma...

Author: By Mary A. Brazelton, Patrick R. Chesnut, Lindsay A. Maizel, and Natalie I. Sherman, CRIMSON STAFF WRITERS | Title: Stage Bound | 2/23/2006 | See Source »

Previous | 108 | 109 | 110 | 111 | 112 | 113 | 114 | 115 | 116 | 117 | 118 | 119 | 120 | 121 | 122 | 123 | 124 | 125 | 126 | 127 | 128 | Next