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...Visions of Paradise,” Jagger undertakes the previously unimaginable task of coming to terms with the fact that he is possibly the only man alive over the age of 50 who is still allowed to wear denim jeans and a leather jacket, bed supermodels and sing about it in front of thousands of people. That is to say, Peter Pan starts to grow up, and, horror of horrors, perhaps even mature. But don’t expect Jagger to do so quietly and tamely: on “Too Far Gone,” he warns...

Author: By Andrew R. Iliff, CRIMSON STAFF WRITER | Title: Can't Get Enough of Mick's Love | 1/11/2002 | See Source »

...radical musical innovation, though Goddess is an outstanding rock album. Yet what Jagger has achieved is far more surprising and engaging. Rock stars above the age of 50 who have not made the artistic move to Vegas are few and far between, and Jagger is possibly the first to sing with authority about how a life of sex, drugs and rock and roll might feel in retrospect. And by god, he can still shake those hips and flap those lips...

Author: By Andrew R. Iliff, CRIMSON STAFF WRITER | Title: Can't Get Enough of Mick's Love | 1/11/2002 | See Source »

...cast, especially Daily Show correspondent Steve Carell as her ex-boyfriend, is talented, but the show is definitely Louis-Dreyfus'. She even gets to sing on each episode, an activity she indulges in offscreen as well. For Christmas, she, Hall and five of their friends went caroling in their Santa Monica neighborhood. "No one was particularly interested," Louis-Dreyfus confesses. "It was a pathetic display of Christmas cheer. I felt like the biggest a__hole." Even so, her voice is surprisingly good, and her closing torch song is the best part of the pilot...

Author: /time Magazine | Title: Julia's New Domain | 1/7/2002 | See Source »

...Most important, they wrote music people thought was important. Kern and Hammerstein made the Broadway musical respectable with "Show Boat." George and Ira Gershwin were the first songwriters to win a Pulitzer Prize for a musical ("Of Thee I Sing"). Berlin did some work for Broadway in this period, but mainly he ground out one-off songs. You could say that he made nothing but hits and money. He talked grandly about writing a "folk opera" (Gershwin finally did); Puccini supposedly wanted to collaborate with him on an opera. But Berlin was compelled to keep writing in a form that...

Author: /time Magazine | Title: That Old Feeling: A Berlin Bio-pic | 12/30/2001 | See Source »

...Lyrically, he could be sloppy: rhyming "m" and "n" sounds, cheating by using "piano" as a two-, then a three-syllable word in "I Love a Piano." A devilishly intricate rhyme a la Stephen Sondheim ("We'll have Leontyne Price to sing a/ Medley from 'Der Meistersinger'") was not Berlin's style - to Sondheim's caviar, his lyrics were Spam - but in "Annie Get Your Gun" he did a triple rhyme ("You can't shoot a male in the tail like a quail") whose comic force quickly escalates musically and in the singer's volume. And he could pay cheeky...

Author: /time Magazine | Title: That Old Feeling: A Berlin Bio-pic | 12/30/2001 | See Source »

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