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Usage:

...Coward's reputation to something like that of, say, Fran Lebowitz's, instead of revealing him as the theatrical and musical prodigy he was. Happily, though, the evening was primarily an opportunity for the aristocracy of the cabaret world--led by Michael Feinstein, Barbara Cook and Andrea Marcovicci--to sing the luminous songs on which Coward's legacy should most comfortably settle...

Author: /time Magazine | Title: Sad About the Boy: Noel Coward | 12/13/1999 | See Source »

About reports that she had relapsed into abusing alcohol or drugs, she explains, with only a bit of Hollywood indirection: "If somebody looked at you and [because of medical problems] said, 'You can't ever sing and dance again...' It was depressing. And if you have this disease, you have it. And it is a medical disease. You have to be so careful. It can get you down. But then it's your responsibility to get back...

Author: /time Magazine | Title: Maybe This Time | 12/13/1999 | See Source »

Some families value looks, smarts or athletic skill, but people in my family--otherwise cursed with averageness--have only one shot at perfection. Flowing through our gene pool is a high incidence of perfect pitch. That's the rare ability, found in 1 person in 10,000, to sing a given note at exactly the right pitch every time. In a musical family like mine, the person with the best pitch is the quarterback, the beauty queen and the genius rolled into one. We sing a lot in my family, and those members with perfect pitch always get to carry...

Author: /time Magazine | Title: Little Musicians | 12/13/1999 | See Source »

...They arent original. They dont write their own music (Hanson this is not). In fact, they dont even have producers who write songs for them. Get thisthey only sing ABBA tracks! Hooray! Take Dancing Queen or Mama Mia or Super Trouper: Add in some techno beats, throw in a few trills, make a music videoand bam!youre a superstar with an endless catalogue of hits...

Author: By Soman S. Chainani, A POP CULTURE COMPENDIUM | Title: Soman's In The [K]now | 12/10/1999 | See Source »

...Everything about this production flows together as mellifluously as its singing and dancing; from the winsome one-liners and funny accents (Hungarian, British, and good ole'American Southern), to the costumes (ranging from floor-length gold lamE ball gowns to leather fringe vests with cowboy hats to Vegas-style showgirl getups complete with gold-and-purple accented capes), Crazy for You is a rare production that leaves the audience with a smile plastered on its face, humming the tunes and tapping its feet as it boisterously exits the theater. And let's not forget that well-deserved standing ovation...

Author: By Marcelline Block, CRIMSON STAFF WRITER | Title: "Who Could Ask for Anything More?" A review of "Crazy for You" | 12/10/1999 | See Source »

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