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...minutes, Juliana Hatfield has managed to redefine herself and move forward musically in a way that she has not since the 1993 release of Become What You Are. Not only is Hatfield the only vocalist who can sing "me" as a five syllable word, she is the only lyricist who is writing lines like "There's no such thing as pleasant conversation/it's all just drowning victims gasping for air." Keep gasping, Juliana...

Author: By Jordan I. Fox, CONTRIBUTING WRITER | Title: A 22-Minute Revolution | 10/17/1997 | See Source »

...your own house, and this wide-open liberty is making you crazy. The Rockies spin out of the ground like the spurs of a boot, and a herd of antelope is grazing along a bend in the Missouri River. Willie Nelson and Ray Charles come on the radio to sing Seven Spanish Angels, and it seems prudent, if not reasonable, to nose up to 100, 105, 110. At 112, you can almost see the seven angels. It's 85 miles from Great Falls to Helena, with a lot of curves (it'd help if they had signs saying CURVE AHEAD...

Author: /time Magazine | Title: MONTANA: AMERICA'S FAST LANE | 10/13/1997 | See Source »

Ashong's musical "Songs We Can't Sing" will be playing at the Lowell Lecture Hall on Jan. 9, 10 and 29.Courtesy of DreamworksSCREEN SHOT: DERRICK N. ASHONG (center) appears in a scene from Steven Spielberg's upcoming movie "Amistad...

Author: By Brendan H. Gibbon, CRIMSON STAFF WRITER | Title: From Harvard To Hollywood...(And Back Again) | 10/10/1997 | See Source »

...often complex, the songs always remain accessible and gracefully simple. As expected, the live show gave many songs an urgency they don't have on the CD. However, the cuts on the album showcased Deal's song writing talent more than the show: studio technology enables Deal to sing her own harmonies, and Todd Mund effectively uses studio guitar tricks to create a colorful portrait of sound. Deal's songs often have the character of a musical sketch rather than the typical plot of verse-chorus-verse, and studio effects enhance her ability to create the haunting atmosphere that...

Author: By John T. Reuland, CONTRIBUTING WRITER | Title: The New Deal: From Riches to Rags | 10/10/1997 | See Source »

...many of the tunes with unrelentingly rhythmic bass lines; and Deal leavened the raw power of her vocals with sensitivity. Her muscular voice never strained, and she displayed impressive range and intonation. At times she could be sweet and velvety. Then she would let loose from the diaphragm and sing a chorus with no mercy. Such was the case with "Brillo Hunt." The song began coy and reserved, but the chorus exploded into crashing cymbals and distorted guitars as Deal's forceful voice ranged over surprisingly complex musical terrain...

Author: By John T. Reuland, CONTRIBUTING WRITER | Title: The New Deal: From Riches to Rags | 10/10/1997 | See Source »

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