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...Whitney Houston can sing, and not just too. Beneath the Tiffany wrapping lie the supplest pipes in pop music. Her precocity and virtuosity, her three-octave range and lyrical authority, are, at 23, scary. She can switch moods without stripping emotional gears, segueing from a raunchy growl to an angelic trill in a single line -- no sweat. She coaxes the back-street torch song Saving All My Love for You until the song's Other Woman sounds like a little girl lost in faded rapture. She stands up to the string section in that anthem of enlightened egotism, Greatest Love...

Author: /time Magazine | Title: Show Business: The Prom Queen of Soul | 7/13/1987 | See Source »

Grandma better get ready to boogie. From the very first cascading wooooo! on I Wanna Dance, the new album showcases a Whitney Houston who sings bolder, blacker, badder. This Whitney doesn't just want to dance with somebody, she wants "to feel the heat with somebody," and the vocal scorches. The rest of the album -- a mixture of party songs and love songs -- displays its star's subtler readings, greater vocal nuance, more dynamism and control. On the jazzy ballad Just the Lonely Talking, she eases into an adventurous scat duet with an alto sax. But she can still sing...

Author: /time Magazine | Title: Show Business: The Prom Queen of Soul | 7/13/1987 | See Source »

...came by such feelings practically from the cradle. When Andres was a child, his uncle would strum an imaginary guitar and sing: "To play the guitar/ You need no 'science'/ Only a strong arm/ And perseverance." Segovia took this instruction to heart; aside from a few lessons from a strolling flamenco player, he was self-taught. His tastes, though, were sophisticated: Spanish music by Fernando Sor and Francisco Tarrega, baroque music by Bach and Purcell and works by such contemporaries as Benjamin Britten and Heitor Villa- Lobos, many of which were written especially...

Author: /time Magazine | Title: Music: Mastering The Sounds of Silence | 6/15/1987 | See Source »

...confused, especially about why the doctor was fired. But after long rehersals with the director, McCrady could act the part without really understanding it. A few months later his school was set to perform the Mikado. But McCrady sat that one out: "It sounded Japanese, and I couldn't sing and didn't want...

Author: By Victoria G.T. Bassetti, | Title: ...And It Pays Badly, Too | 6/11/1987 | See Source »

...audience and decided I never wanted to miss another." McCrady has hardly missed a beat since then. Ironically, despite his reluctance to sing in seventh grade, the Adams House senior has become best known for his singing roles in the Hasty Pudding Theatricals...

Author: By Victoria G.T. Bassetti, | Title: ...And It Pays Badly, Too | 6/11/1987 | See Source »

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