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Which, of course, is standard fare for the cookie-cutter action movies Hollywood cranks out by the dozen. But I had hoped that a director as noted as John Singleton and an actor with Jackson's talent would produce something more challenging than a cinematic gangsta-rap song. The original Shaft--one of the first black movie heroes to talk back to the Man and get away with it--meant something special to blacks like me who came of age during the '70s. We could use another hero like that now. Instead we got the shaft...

Author: /time Magazine | Title: Cinema: Why We Now Can't Dig Shaft | 6/26/2000 | See Source »

...least had an attitude, and that's what director John Singleton's Shaft lacks. It begins by focusing on an upper-class racist murderer (Christian Bale) whose motives we don't quite believe. So the movie quickly shifts its attention to a sly, brutal, self-regarding Latino drug dealer (Jeffrey Wright). You can understand only about one in three words he speaks, but you catch his very scary drift...

Author: /time Magazine | Title: Cinema: Has Shaft Been Shafted? | 6/26/2000 | See Source »

...wonder, playing a role that was--deservedly--built up during production. But that leaves a lot of other actors--among them Vanessa Williams, Toni Collette and Roundtree himself (as Shaft's beamish uncle)--shortchanged. It also leaves Jackson to play yet another cop rebelliously disgusted with the system and Singleton with yet another urban action piece, well enough made but not essentially different from a hundred other movies just like...

Author: /time Magazine | Title: Cinema: Has Shaft Been Shafted? | 6/26/2000 | See Source »

NAME: JOHN SINGLETON AGE: 32 OCCUPATION: Shaft director BEST DODGE: "Sam is opinionated, but I respect that." The real cause of on-set tension? "It was our producer, Scott Rudin, that was the big problem...

Author: /time Magazine | Title: People: Jun. 19, 2000 | 6/19/2000 | See Source »

Shut your mouth! Hide your eyes! In fact, erase your memories! There's nothing "bad" about John Shaft in John Singleton's nephew-of remake of Gordon Parks's 1971 breakthrough movie that defined the blaxploitation genre. Gone is the hard-living, hard-loving vigilante avenger banging on Hollywood's door with the butt of a .45 and challenging its whitewashing of American reality. In his stead we have his focus-group tested nephew, designed to appeal to a much wider audience but stripped, in the process, of his ability to thrill...

Author: /time Magazine | Title: It's Our Duty to Pooh-Pooh This PC-Plagued 'Shaft' | 6/19/2000 | See Source »

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