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Word: sings (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Usage:

...flashy, self-designed fashions and outlandish videos. On his solo debut, however, the originality and energy of the image never seemed to match that of his music (except with the hit "Woo-Ha"). Although a creative lyricist, Busta delivered his fractured stream of consciousness flow in both a smooth sing-song and sonic growl with an energy that very few rappers can match. But none of this could disguise the fact that the music was weak and uninspired. On his second solo effort, When Disaster Strikes, Busta still hasn't completely solved the problem of finding beats to match...

Author: By Brandon K. Walston, CONTRIBUTING WRITER | Title: [living large] ON A BORING BACKGROUND | 10/3/1997 | See Source »

Unfortunately, once Hayley Mills begins to sing "Getting to Know You," the effect is lost. Mills plays the main character, Anna Leonowens, a widowed teacher who is brought to Bangkok by the King of Siam (Vee Talmadge), to educate the royal children (a group of adorable new talents ranging in ages from...

Author: By Kamil E. Redmond, CONTRIBUTING WRITER | Title: Me and My Monarch | 10/3/1997 | See Source »

Overall, the musical is worth seeing, but only for the matinee price. The singing by both Mills and Talmadge is weak and unclear, leaving one constantly straining to hear them. Those who loved Mills in Pollyanna and The Parent Trap will be very disappointed with her voice. Everyone knows the songs and can sing along, but it would have been great to hear one of these characters, preferably the King, really belt one out. Worse still, sexism, classicism and European elitism (the three evil isms) abound in this musical: the fact that European culture is valued over Asian culture...

Author: By Kamil E. Redmond, CONTRIBUTING WRITER | Title: Me and My Monarch | 10/3/1997 | See Source »

Without making a clear departure from Strings, they've juggled the parts of the formula just right. They've still trying to slow it down a little, but the slow songs mostly eschew gimmickry outside the emotional punch of McCaughan's three-note voice going from "sing" to "scream." Maybe his solo records as Portastatic sharpened his song writing. "Marquee" and "Under Our Feet" are touching, and the closing joke ("Martinis On The Roof") is unusually dignified, as if Mac doesn't need indignance as badly as he once...

Author: By Aaron Y. Mandel, CRIMSON ALUMNUS | Title: Superchunk Ascends to the Next Level with New Album | 10/3/1997 | See Source »

...immediate future, she hopes to be chosen to sing with the Tanglewood Festival Chorus at the Winter Olympics

Author: By Jenny E. Heller, CONTRIBUTING WRITER | Title: Bravo! Senior Chosen to Sing With Symphony | 9/26/1997 | See Source »

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