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Bancroft, playing a South American aristocrat, sounds more like South Brooklyn and about as aristocratic as a hash-house waitress. Alexander ably sketches differences among the dowager's airhead sister, mean daughter and timid nurse, but, as the last, lapses into a singsong that has become her trademark shorthand for innocence. Adding to the problem, Robert Allan Ackerman's archly formal staging emphasizes ritual over a sense of place. Still, the two women establish an ever shifting power dynamic. In the last fantasy, when they embrace fondly in an imagined courtyard, their warmth and urgency enable the audience to share...

Author: /time Magazine | Title: Theater: Dreamscapes | 12/11/1989 | See Source »

...each other with noisy chants and protest signs on the plaza in front of the court, that is precisely what happened. Seven of the nine Justices emerged from behind the red velvet curtain and took their seats. In the hushed chamber, Chief Justice William H. Rehnquist read in his singsong, quivering voice excerpts of the long-awaited decision of the divided court in the case of Webster v. Reproductive Health Services. Before he was through, it was clear that the country was about to be plunged into the most corrosive political struggle it has experienced since the debate over...

Author: /time Magazine | Title: The Battle over Abortion | 7/17/1989 | See Source »

...uncaged onstage Williams contains multitudes -- a Sybil's worth of funny, fractured personalities. The man who was Mork, on TV's sitcom smash of the late '70s, can switch in nanoo-seconds from an infant's helium singsong to Elmer Fudd as Bwooce Spwingsteen. This glossolaliac gift can give the listener a high and a headache; it is that quick, sharp and scary. Scares Williams too. "When it works," says the Chicago-born comic, 36, "it's like . . . freedom! Suddenly these things are coming out of you. You're in control, but you're not. The characters are coming through...

Author: /time Magazine | Title: Cinema: Playtime For Gonzo | 12/28/1987 | See Source »

...gang appear onstage as determined misfits -- sometimes menacing, sometimes pathetic, always glaringly out of place. One of the quirkiest is Emo Philips, 31, a waiflike creature with a Prince Valiant haircut who floats onto the stage like some fugitive from Mother Goose and talks in a limp, languorous singsong. The star of a recent HBO concert, he shows a fondness for whimsical absurdities ("I'm not as good a swimmer as I used to be -- thanks to evolution"), but his material is not quite strong enough to overcome the monotony of his presentation...

Author: /time Magazine | Title: Video: Ranting, Raving, Doing the Dishes | 4/27/1987 | See Source »

...emigre actress renowned in Warsaw for roles in the classics. In New York City she shuffles around a decaying and almost bare tenement flat, hanging up tea bags to dry for reuse while intoning Lady Macbeth's hand- washing scene in an odd singsong with a thick Polish accent. No one will hire her, and even she can hear herself and understand...

Author: /time Magazine | Title: Theater: Streets Paved with Pitfalls HUNTING COCKROACHES | 3/16/1987 | See Source »

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