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Compared to such models, the American Shakespearean actor is short on breath, long on Method and nil on tradition, despite the dimly remembered glories of Booth and Barrymore. Too many U.S. actors either singsong like walking metronomes or chop up the lines and speak blank prose. As for acting, Method-mad U.S. actors swallow a character like medicine and then release him through their pores in involuntary shudders. They are nonetheless eager to try the roles that all agree are the touchstones of an actor's skill and imagination. What is needed is the continuity of acting tradition that...

Author: /time Magazine | Title: THE STAGE: To Man From Mankind's Heart | 7/4/1960 | See Source »

...Reading Out Loud series proved to be a small clear voice speaking strongly in answer to television's critics, who have often accused TV of destroying the art of reading. There was no script-just the poet reading, sometimes with wonderful insight, sometimes in a poem-killing singsong. The children were seen responding, sometimes with a joy of understanding, sometimes with the bored and nervous smiles of polite scorn...

Author: /time Magazine | Title: TELEVISION: Back to Books? | 2/15/1960 | See Source »

Poems, by Boris Pasternak, translated by Eugene M. Kayden. Though the language curtain sometimes reduces the poet's lyric song to schoolboy singsong, this translation permits more than a glint of Pasternak's genius to filter through...

Author: /time Magazine | Title: CINEMA: Time Listings, Nov. 23, 1959 | 11/23/1959 | See Source »

...filters through; whole stanzas blaze with life and passion. But, since Pasternak frequently relies on a fusion of images and sounds, perhaps only an inspired fellow poet could devise sensuously idiomatic English equivalents. In Translator Kayden's rhymes, Pasternak's lyric song is sometimes reduced to schoolboy singsong...

Author: /time Magazine | Title: Books: Pasternak the Poet | 10/19/1959 | See Source »

...ordinary literary standards, Guest's verse was mundane doggerel, written in soporific singsong and filled with synthetic back-country colloquialism. Guest's world abounded with wimmen folks, doctor folks, farmer folks and jes' plain folks. He extolled friendship and friends, God and worship, his wife Nellie, his son Bud, his daughter Janet, the virtues of porch sitting, of babies, tablecloths, wood-burning stoves and wooden tubs, sausage, and two kinds of pie (lemon and raisin). To Edgar Guest, death was "God's great slumber grove" or "the golden afterwhile." Samples of his rhyming...

Author: /time Magazine | Title: The Press: Into God's Slumber Grove | 8/17/1959 | See Source »

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