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Prinze liked to tell interviewers that the Chico character "is very close to me. He comes out an optimist, very ambitious and hardworking. He's made something of a life that could have made him bitter." But for one of the most singular escape stories in ghetto history, escape was not enough...

Author: /time Magazine | Title: SUICIDES: Freddie Prinze: Too Much, Too Soon | 2/7/1977 | See Source »

...them? And even if he catches their drift, what if they get tough with him? He suggests a physical fragility that may not permit him to put enough muscle behind his hard-working mouth. There's good suspense here, the kind that derives from really caring for a singular individual...

Author: /time Magazine | Title: Cinema: Fresh Eye | 2/7/1977 | See Source »

...would be just before the firing squad shoots, Gilmore said, "Nicole. Just Nicole." As for death itself: "It will be familiar, whatever it is. There will be a few rough seconds, a period of adjustment. There will be souls grasping and calling to me. I must keep my mind singular and strong. I know what I want, and in death you can choose in a way that you can't choose in life." Gilmore said he believes that he has had previous lives, and devils, but this time "I don't want to come back...

Author: /time Magazine | Title: The Law: Death Watch in Salt Lake City | 1/24/1977 | See Source »

...undergraduate experiences. Yet, it is precisely this alternative that would be compromised if the CHUL adopts Dean Fox's plan. That proposal, which would establish three-year Houses throughout the system and house all freshmen in the Yard with the object of eliminating sophomores from Canaday Hall, is singular in its lack of sensitivity for the Quad point of view. One only needs to point out that Fox bases his arguments about the Quad's unpopularity on one of the Quad's acknowledged strong points--four-year Houses--to realize how little Fox seems to care about, or understand...

Author: NO WRITER ATTRIBUTED | Title: Reject the Fox Proposal | 1/19/1977 | See Source »

...Prince (Richard Chamberlain) bellyaches tunefully about the difficulty of finding a loved one from amongst the array of regal dogs put forward by his father the King (Michael Hordern). These complaints absorb rather more time than they should, and result, directly or indirectly, in several dance numbers of singular clumsiness. The dancers-presumably professionals-look like nothing so much as the members of a Little League team doing nip-ups before the first game of the season...

Author: /time Magazine | Title: Cinema: Glass Sliver | 1/17/1977 | See Source »

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