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...still the movie does not work. Its true story is too singular to serve as the basis for moral generalizations. The ideas advanced by the film are, in any case, not significantly different from the ones put forward by opponents of the war while it was going on. But it is its distant and curiously monotonous tone that finally betrays Casualties of War. It numbs the conscience instead of awakening...

Author: /time Magazine | Title: Cinema: Vice And Victims in Viet Nam | 8/21/1989 | See Source »

Mallarme had written of the impalpable reality that poetry must somehow approach: "To conjure up the negated object, with the help of allusive and always indirect words, which constantly efface themselves in a complementary silence . . . comes close to the act of creation." Wilmarth's singular project was to create the spirit of reverie that surrounds the "negated object," but in that most object-affirming of arts, sculpture, and to seek its poetic effects in heavy industrial materials -- steel and glass. Typically, Wilmarth, a Californian who spent most of his working life in New York City, adopted...

Author: /time Magazine | Title: Art: Poetry In Glass and Steel | 6/26/1989 | See Source »

...even the tone-deaf have heard of, none is more intriguing than the Canadian pianist Glenn Gould -- not only because of his electrifying reinventions of Bach's Goldberg Variations, among other pieces, but also because of the strikingly eccentric artistic creation that was his life. Who could forget the singular genius who shuffled about on summer days swathed in mufflers and overcoats (because of his hypochondria), and in concerts sat himself down on a pygmy chair and proceeded to sigh, groan, sing and wave his hands about as he played? Who could resist the story of the monkish prodigy...

Author: /time Magazine | Title: Music: Singing Mahler to the Elephants | 5/22/1989 | See Source »

...carry a good deal more clout than Gigli's (under $10 million). "One day I just woke up and thought I'd like to show in Paris," shrugs Gigli, perhaps forgetting that Paris, for other Italian designers (like Simonetta), turned into a nightmare that left them disenfranchised, with no singular creative identity. "I shouldn't yet take all this for more than a one-season wonder," said Suzy Menkes, the savvy fashion editor of the International Herald Tribune. "All designers are prima donnas to some extent, and I expect Gigli just wanted to teach the Milanese organizers a lesson...

Author: /time Magazine | Title: Living: Fashion Without Frontiers | 3/20/1989 | See Source »

George Moore's The Singular Life of Albert Nobbs, adapted by Simone Benmusson, takes the stage this weekend at the Loeb Experimental Theater. The plot centers around a woman who disguises herself as a man but who, in the process, commits herself to a life of lonliness and despair. There is one performance Friday, and there are two on Saturday--one matinee. The show is free...

Author: NO WRITER ATTRIBUTED | Title: Art on Campus | 3/3/1989 | See Source »

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