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...stop for any good reason (save entryway tutors crying foul at 1 a.m.)," said Wilson. "Much of the Cabaret's charm came from a sense of being in an underground (literally) venue, of breezing between quick sets of eclectic material and of going without stopping...while the Cabaret was singular in its design and energy, it is also further proof that there is so much space-and if there is a space for it, it is filling a need-for all sorts of shows and, importantly, for all sorts of bridges between scenes on this campus...

Author: By Diane W. Lewis, CRIMSON STAFF WRITER | Title: Eclectic Cabaret With A Hip-Hop Aesthetic | 5/5/2000 | See Source »

...film ever be a wholly personal project? Not within this paradigm. Even if one looks at the films of the "auteurs" of the last century, one will find collaboration as a foundational ingredient. Fellini, Bergman, Hitchcock, Scorsese, etc.: all have been able to create collaborations between artists of singular vision (What would Fellini be without Giulietta Masina? What would Scorsese be without the great screenplays of Schrader and Pileggi?) The genius of these directors comes from their powers of orchestration and coordination. In general, films are mass conglomerations of talent and effort; cast and crew combine to produce a finished...

Author: By Jon Natchez, CONTRIBUTING WRITER | Title: Good Film Hunting | 4/14/2000 | See Source »

...This is not to say that Schulze's medleys are solely documentary or homages to quotidian occurrences. In perhaps one of the best passages, a Schulze narrator, Danny, is frozen by the singular event of looking into "crocodile eyes," the grainy veneer of a cheap old Stasi desk. "Every time it happens, I promise myself I'm going to talk to the others about this amoeba-like grain in the veneer," he says. "We all have to spend our time staring at these lines and squiggles, which at the far left look like a crocodile's eye. But nobody ever...

Author: By Teri Wang, CRIMSON STAFF WRITER | Title: Tales of an American German in Altenburg | 4/14/2000 | See Source »

...rapidly over the past few centuries, it will continue to do so, possibly forever. But this view is, to use your word, ahistorical, based on faulty inductive logic. In fact, inductive logic suggests that the modern era of explosive scientific progress might be an anomaly, a product of a singular convergence of social, intellectual and political factors. If you accept this, then the only question is when, not if, science will reach its limits. The American historian Henry Adams observed almost a century ago that science accelerates through a positive-feedback effect. Knowledge begets more knowledge; power begets more power...

Author: /time Magazine | Title: Will There Be Anything Left To Discover? | 4/10/2000 | See Source »

...this context of accepted scientific procedures, single occurrences present a knotty problem. Their "truth" cannot be denied, but how can we use their existence to assert any generality rather than an explanation for a singular circumstance? For specific events of history--the rise, domination and extinction of dinosaurs, for example--we seek no such generality, and specific narrations for bounded events supply the explanations we seek. Thus a particular asteroid, striking the earth 65 million years ago and leaving evidence of its impact off the Yucatan Peninsula, probably triggered a global extinction that sealed the fate of dinosaurs and many...

Author: /time Magazine | Title: Will We Figure Out How Life Began? | 4/10/2000 | See Source »

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