Word: sinuous
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Every nation in Europe glories in its monuments to faith and civilization. For centuries now, pilgrims and art lovers have lingered in reverence before the dazzling domed temples of Byzantine Ravenna, the Gothic splendors of Canterbury and Chartres, the sinuous harmonies of the Baroque churches of Saragossa, Vienna and Prague. But few tourists have yet made their way to Moldavia, a distant province of northern Rumania, where some of the loveliest churches in Europe are clustered (see color pages). The churches of Moldavia are exceptional not only for their beauty but for how they are treated by the Communist state...
...furniture as in architecture, the 19th century's fanciful adaptations of traditional styles often masked new concepts in design and construction. The sinuous curves and scrolls and extravagant ornamental carving of J.H. Belter's rosewood chairs and tables were based -however remotely-on 18th century French rococo precedents. But the S-shaped Tête-à-tête chair that seats two people facing one another was a strictly Victorian innovation...
...Sinuous Color. Wadleigh is equally successful at conveying the sociological aspects of the event through concise interviews with townspeople, festival organizers, police and members of the audience. Everyone from a chief of police to a maintenance man for the Port-O-San portable toilet corporation gets his say. Woodstock, however, is not an unrelieved celebration. For every shot of easy affection in the grass and innocent group bathing in the nude, there is a scene in the medical tent, or the ominous voice of the onstage announcers: "The word is that some of the brown acid being passed around...
...technical expertise used to achieve Woodstock's pulsating, visceral effects should stand as a model of non-fiction film making. Particularly outstanding are the sinuous color photography (a good deal of it done by Wadleigh himself) and the editing by T. Schoonmaker and Martin Scorsese-a masterly combination of taste, timing and theatrics. There are sequences -such as one in which John Sebastian dedicates a song to a girl who has just given birth-of lilting simplicity. There is the hysteria of The Who and the pure rhythmic orgasm of Ten Years After. They all help to make Woodstock...
...foremost capacities of the group. "Good Times Bad Times" is based, as is usual with their songs, on an energetic riff rather crudely syncopated but irresistibly developed. Page plays a brief solo characterized by his enormous intervals and rapid triplets: Bonham employs complex drum pedals; Jones adds a sinuous independent bass line: and Plant insinuates a tone of bemused disconsolation into the song's eternal situation of calumniating fate. "Dazed and Confused" deals with incoherent man in the face of a latter-day Cressida. After a sufficiently stunned introduction of echoing vibrato notes, the organizing riff enters. Page amuses himself...