Search Details

Word: siporin (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

Thomas V. Siporin '64, in his proposal to the Council, asked that the Jewish students to assessed to lump-sum board reduction, similar to Mrs. Bunting's offer of $1.30 to each 'Cliffie for each meal they take a Hillel...

Author: NO WRITER ATTRIBUTED | Title: Board Reduction | 12/1/1962 | See Source »

...Mitchell Siporin...

Author: /time Magazine | Title: Art: 102 PAINTERS TO WAX ENTHUSIASTIC ABOUT | 7/6/1962 | See Source »

Other members are Douglas B. Harding '63 and Tom Siporin '64 of Leverett House, David B. Lotman '64 and Michael C. Joseph '64 of Lowell House, Cornelius J. Minihan '63 and Hartej S. Sandhu '63 of Quincy House, and James B. Henderson '65 John P. Russo '65 and John W. Harmond '65, all of whom were named by the Freshman Council...

Author: By Charles W. Bevard jr., | Title: HCUA Postpones Officer Elections Until Next Month | 1/18/1962 | See Source »

...were unworthy choices. Jack Levine's "The Judge" (see cut at right) won the Grand Prize It is indeed a masterly work, executed in splotches of restrained browns and dull white that take shape only at a distance. Other exceptional works were George Grosz's "Night-mare," Mitchell Siporin's "The Gallery," and Max Weber's "Flute Player." William Kienbush received honorable mention for his competent "Coast of Baker Island." The sculpture choices, however, were poor on the whole; Isamu Noguchi's "The Ring" was by far the best item...

Author: By Caldwell Titcomb, | Title: Sixth Annual Boston Arts Festival Evaluated | 7/1/1957 | See Source »

...Millman went to Mexico, spent his time with Diego Rivera learning mural design and technique. But at St. Louis neither he nor Siporin will use Rivera's jolting colors and jampacked composition. Their frescoes are in the standard historical vein, grey and red their predominant colors. Contemporary, unlike their murals, are their canvases now on show at the New York and San Francisco World Fairs. But, says Eddie Millman: "In murals alone can art reach the large masses of people. . . . Easel paintings are too personal, too limited in appeal. . . . Painting, to be really functional, must be taken from small...

Author: /time Magazine | Title: Art: Muralist Team | 10/2/1939 | See Source »

Previous | 1 | 2 | 3 | Next