Word: sir
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...smell of baked ham and soggy lettuce on a dry nine-grain bun doesn’t typically make my mouth water, but shortly into my 2 hour, 21 minute flight home for Christmas, it sounded utterly delicious. “Excuse me, sir,” said the flight attendant. “Would you like some lunch today?” For a moment, I was disoriented—there was no five dollar price tag attached to the offer, only an enticing lunch box on her outstretched arm. And I had been addressed politely, an antiquated notion...
...Hanks was not sticking to the script. Called up to the stage by Sony boss Sir Howard Stringer during the keynote speech on the opening day of the Consumer Electronics Show Thursday morning, Hanks exsanguinated the hand that...
...great teacher and investor with a gentle and loving disposition, Sir John Templeton, who died on July 8 at 95, pioneered value investing beyond U.S. shores long before global investing became commonplace, and that made him a financial legend. His success lay in patiently waiting for prices to reach "points of maximum pessimism." In addition to leading me into global emerging markets by asking me to manage the first Templeton emerging-markets fund, he taught me and others how to become investors by pursuing long-term goals and undervalued securities. He taught us that in order to find the best...
...Sandler scribe Tim Herlihy. Obliged to read the children to sleep with a bedtime story, Skeeter tosses aside his sister's PC books like The Organic Squirrel Gets a Bike Helmet ("Communist stuff," he opines) and invents a fairy tale of his own: a medieval frolic where he is Sir Fix-a-Lot and Kendall is Sir Butt-kiss. As Skeeter wanly improvs, the kids add impish twists of their own: that the sky will rain gumballs, a dwarf will ruin Sir Fix-a-Lot's heroic moment by kicking him... basic kid stuff. Weird thing is, the things...
...Seated on a leather piano bench, Harrell opened the adagio-moderato movement of Sir Edward Elgar’s “Cello Concerto in E Minor, Op. 85” with a declamatory broken chord. Harrell—who made his BSO debut in November 1978—favored a smoother, lighter touch to the opening theme, as opposed to the heavily sustained passion of English cellist Jacqueline Du Pré’s definitive 1965 recording of the concerto with the London Symphony...