Word: sirs
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Dates: during 1970-1979
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...said: "Sir Etienne Dupuch, owner and editor of the Tribune [the most influential newspaper in the Bahamas], had called at Government House to tender his respects. Windsor, who was standing just outside the main gate, dismissed Dupuch with the withering comment: 'Colored people to the tradesmen's entrance.' " TIME cites this as an example of the duke's treatment of colored Bahamians...
...completely absent," said Mastroianni, "you must accept the fact that the egg was fertilized in vitro. But if they are just damaged, there's always the possibility that the egg may actually have been fertilized in vivo [in the body] ? that the tubes may have functioned again." Sir John Stallworthy, president of the British Medical Association's board of science, agreed that the sensational claim "requires irrefutable proof...
...something highfalutin like Frederick simply because I've been knighted." But at the ceremony last week at Buckingham Palace, he wore a proper top hat and morning suit and told photographers: "If you think I'm going to do anything daft today, you're wrong." Sir Freddie is especially pleased with his insignia and title because he has long attacked the government for its air policy. "The last thing you expect is to be told you're a good lad," he says. "You expect a kick in the arse...
...culture is still somewhat enigmatic. Nowhere is this truer than in painting. Modernism, the art of the past hundred years, defined itself in opposition to 19th century "bourgeois" painting: the art of the Salon in France, of the Royal Academy in England. Cezanne, Picasso and Matisse were everything that Sir Edwin Landseer, Sir Edward John Poynter and Sir Lawrence Alma-Tadema were not and could not be. There was no way of judging the academicians by the standards of postimpressionism. You either execrated them and were on the side of history, or enjoyed them and missed...
...last week a fascinating exhibition entitled "Great Victorian Pictures: Their Paths to Fame," organized by Michael Harrison and Art Historian Rosemary Treble for the Arts Council of Great Britain, opened at the Royal Academy in London. There they are, together at last -John Everett Millais's Bubbles, Sir Edwin Landseer's Stag at Bay, George Frederick Watts' Hope, John Collier's The Prodigal Daughter and dozens more. Nothing could have seemed more secure than the fame and popularity of their authors; painters like Lord Leighton or, especially, Alma-Tadema (who, while working...