Word: sirs
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Dates: during 1980-1989
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Librarian, I am cold, Pray you, undo this button, Thank you, sir. Do you not see the gazelle on the rushing waters? I know he looks at me. ("What if Harry Levin wrote the poems of Edna St. Vincent Millay?"). I am sleepy and the oozy weeds about me twist "Chirp...
...them appear dupes of alien Jewish machinations. In 1921, a reporter for the London Times found the sources from which the Protocols had been lifted. The notion of Jewish leaders plotting secretly came from a novel called Biarritz (1868) by Hermann Goedsche, a German who used the pen name Sir John Retcliffe. Most of the language and ideas in the Protocols, however, were taken directly from a French satire published in 1864, Dialogue aux enfers entre Montesquieu et Machiavel (Dialogue in Hell Between Montesquieu and Machiavelli). The conversation reveals Machiavelli (a thinly disguised stand-in for Napoleon...
...came together in a joint session. If there was unanimity on any point-beyond somewhat reluctant agreement that NATO's missile deployment should go ahead-it was that the alliance signally has failed to explain, much less convince a skeptical public of the wisdom of its defense policies. Sir Nicholas Henderson, the former British Ambassador to the U.S., called this "one of the most urgent needs in the transatlantic arrangement." Said he: "If you are to defeat neutralism, anti-Americanism, pacifism in Europe, you must try to explain in what way you think that the Soviets can use their...
...plan, Valentine and his kind might be lost--together with Roundy Kupkakes, Kingfisher, Kingfish in Eggbatter, Shakespeare, Milton, and all of the "dirty delightful world" the hero Brodie considers worthwhile. Instead the spaceship would be "full of men and women with thin exact minds who would not know who Sir John Falstaff was." Among them would be Vanessa Brodie, a genius-goddess held to Valentine by a marriage contract, the epitome of "perfection loveable by definition" and definition only...
...Just before his death at his villa on the Italian island of Ischia (the inspiration for Hockney's set), Walton had put the finishing touches to his score. The music is carefully crafted and sparklingly orchestrated with sprinkles of harp, celesta and xylophone-qualities that are reflected in Sir Frederick's deft choreography. Like his great colleague George Balanchine, Ashton has an unerring ability to match movement with sound in a way that slights neither, creating something fresh and whole to charm the eye and resonate in the soul. -By Michael Walsh