Word: sirs
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Dates: during 1980-1989
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...looking for a pattern, Sir Nigel," Forsyth's hero, Agent John Preston, reports to his boss. "It's all I can look for. A pattern of entries and exits by the same passport number. . . . It's not much, but it's all I have...
Such Op-Ed argumentation has begun to appear, alas, in other thrillers. Its most notable recent use was in General Sir John Hackett's two books noisily predicting a third world war. But Hackett's purpose was not to write novels; it was to use the techniques of fiction to argue his case for a buildup in conventional arms. An escape narrative must be nimbler. In The Spy Who Came in from the Cold and his later novels, Le Carré gave the spy thriller all the ideological baggage that the pockets of a trench coat could handle...
...Sir David Lean and Lord Snowdon take aim at A Passage to India
Last winter in Bangalore, India, a pair of Englishmen stood peering through camera lenses. Two more Westerners squinting into viewfinders - nothing new to India. But these were no tourists out for holiday views of the East. One was Sir David Lean, director of Lawrence of Arabia and Doctor Zhivago, shooting his first film in 14 years, an adaptation of E.M. Forster's A Pas sage to India. A few yards away was Lord Snowdon, the photographer who expelled posture and plumage from celebrity portraits, arching for shots of the cast and crew...
...Under the Sun), and jumped at the chance to work with Lean. On the set he was free to wander, plucking shots of the 235 crew members and a cast that includes Dame Peggy Ashcroft, James Fox, Judy (My Brilliant Career) Davis, Indian Actor Victor Banerjee and, of course, Sir Alec Guinness. Guinness's career has been entwined with Lean's since the 1940s, when he was featured in the director's memorable adaptations of Dickens' Great Expectations and Oliver Twist. "Alec is a great man," is Snowdon's simple judgment. "The great ones have...