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...since the summer of 2006. But his departure now stems from a dispute with Disney, the distributor for At the Movies, over the show's famous trademark thumbs-up/thumbs-down verdict on films. The rights to that trademark belong to Ebert and the widow of Gene Siskel, Ebert's original co-host. Ebert's departure from the show apparently comes after he and Disney could not come to an agreement on compensation related to the trademark...

Author: /time Magazine | Title: Roger Ebert: The Final Thumb? | 7/21/2008 | See Source »

...Sound Opinions”—A Siskel and Ebert-type radio show for music. Lots of spirited discussion, record reviews, interviews, and music news. You realize how subjective musical taste is when you hear them argue so passionately and articulately. Download the podcast from iTunes...

Author: By Crimson arts Staff, CRIMSON STAFF WRITER | Title: CELEBRITY LISTS | 12/14/2007 | See Source »

...case. For while the study can explain some friendships--the cast of The Facts of Life, for instance, or the together-through-thin-and-thinner bond of Paris & Nicole--it doesn't account for so many of history's finest partnerships: Laurel & Hardy, Skipper & Gilligan, Abbott & Costello, Siskel & Ebert, and those most enduring of all buddies, Ernie & Bert...

Author: /time Magazine | Title: How Friends Make You Fat | 8/2/2007 | See Source »

...this he's added what people may think is his main job: being a TV host, fronting series of weekly movie-review shows since 1976, first with Gene Siskel, then with Richard Roeper. He's also recorded commentaries for DVD releases of classic films, from Citizen Kane to Beyond the Valley of the Dolls, the sleazerrific Russ Meyer movie that Roger co-wrote in his 20s. As the go-to movie savant, he's been on hundreds of TV shows, sometimes alone, sometimes with his review-show partners; who can forget that night in the '80s when David Letterman persuaded...

Author: /time Magazine | Title: Thumbs Up for Roger Ebert | 6/23/2007 | See Source »

...beautiful skin.") He's one of the few critics who can take it more than he can dish it out, as I know firsthand. In 1990, for Film Comment, I wrote a piece called "All Thumbs," about what I saw as the devolution of film criticism, and cited the Siskel-Ebert TV show (not their other writing) as an example of movie reviewing being reduced to opinion. In the next issue, Roger responded to these charges with a dispassionate grace that acknowledged some of my points, took issue with others, but never stooped to stridency. (The exchange was reprinted...

Author: /time Magazine | Title: Thumbs Up for Roger Ebert | 6/23/2007 | See Source »

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