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...only does it not meet Siskel and Eibert's "Best movie of the summer!" proclamation, it doesn't even come close...

Author: By Madhavi Sunder, | Title: Cool Colors Do Not A Great Movie Make | 6/29/1990 | See Source »

...gold is media saturation, not great reviews. In the movie business, the still, small voice of the critic is . . . still small. The movie-critic TV shows -- Siskel & Ebert and their clones -- have some influence, at least as consumer alerts, because they devote much of their time to running film clips. But the print critics are hardly relevant to Hollywood. They may be able to help a small film, but they can't break a big one. "You always want a happy Friday," one studio exec says of critical raves. "But if the movie is an audience pleaser, it can overcome...

Author: /time Magazine | Title: Show Business: Does This Film Seem Familiar? | 11/21/1988 | See Source »

...secret of his success. The yuppie image of Fox's earlier roles biased critics against him at the outset. On the other hand, it has given Fox plenty of ammunition to flex his thespian (although rather slight bodily) muscles just enough to give an extremely convincing performance that both Siskel and Ebert admired. And it is quite admirable. Jamie Conway is a truly desperate soul, quite close to dulling his own smug-young-New Yorker edge...

Author: By Elizabeth L. Wurtzel, | Title: Coke Adds Life | 4/22/1988 | See Source »

That preparation includes viewing films of the Crimson's next opponents. Occasionally as much as eight hours of film in a single day. As much as Siskel and Ebert...

Author: By Colin F. Boyle, | Title: Dartmouth Goes on the Lost Weekend | 2/17/1988 | See Source »

Bickering in the balcony once a week on TV, Gene Siskel and Roger Ebert have turned movie criticism into a hit attraction...

Author: /time Magazine | Title: Time Magazine Contents Page May 25, 1987 | 5/25/1987 | See Source »

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