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Segregated Sisterhood...

Author: /time Magazine | Title: Letters: Nov. 27, 2000 | 11/27/2000 | See Source »

...death threats keep pouring in. There are rumors that Gloria Steinem wants me to turn in my SISTERHOOD IS POWERFUL T shirt, that Jesse Jackson says my soul is toast. They didn't even notice us Naderites for months--until, of course, their candidate decided to prove he isn't "wooden" by demonstrating how fast he could sink. Then, quicker than you could say, "Florida's Electoral College votes," that great, flabby, inchoate entity, the Democratic Party, morphed into a disciplined Leninist organization, dispatching its leading cadre with the message, "Vote for Nader, and you'll never eat lunch...

Author: /time Magazine | Title: Election 2000: Don't Blame Me | 11/20/2000 | See Source »

Thanks to pop culture, Catholics don't have a monopoly on nuns. The religious sisterhood has been widely appropriated as a vehicle for the comic, the dramatic and the sublime. Whoopi Goldberg, Susan Sarandon, Sally Field and Audrey Hepburn have all played roles in habits, proving, in the process, that no one looks great in a wimple. But to actually know what God's call sounds like; how feminist nuns manage in the still patriarchal post-Vatican II church; or how liberating it is for some brides of Christ to be untrammeled by children, sex and romantic love--none...

Author: /time Magazine | Title: Books: Force of Habit | 11/13/2000 | See Source »

Thanks to pop culture, Catholics don't have a monopoly on nuns. The religious sisterhood has been widely appropriated as a vehicle for the comic, the dramatic and the sublime. Whoopi Goldberg, Susan Sarandon, Sally Field and Audrey Hepburn have all played roles in habits, proving, in the process, that no one looks great in a wimple. But to actually know what God's call sounds like; how feminist nuns manage in the still patriarchal post-Vatican II church; or how liberating it is for some brides of Christ to be untrammeled by children, sex and romantic love - none...

Author: /time Magazine | Title: Force of Habit | 11/1/2000 | See Source »

Another confession: liberal movie critics tend to be critical of liberal movies. We're more susceptible to the red meat of an old Clint Eastwood actioner than to the good intentions of a warm-'n'-fuzzy plea for brother- and sisterhood. It's not the politics that rankles so much as the piety. That's where The Contender, Rod Lurie's new Washington drama, stumbles. It has surface smarts but a soft head. Billy Elliot appeals to liberal emotions, The Contender to liberal righteousness...

Author: /time Magazine | Title: Cinema: Filibluster | 10/16/2000 | See Source »

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