Word: sisterly
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Dates: during 1930-1939
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Left. By the late Charles Curtis, one-time (1929-33) Vice President of the U. S.; to Sister Dolly Curtis Gann, his official hostess...
...from among New Orleans debutantes to be Queen of the Mardi Gras Carnival was slim, brown-eyed Cora Stanton ("Coco") Jahncke, daughter of Hoover's Assistant Secretary of the Navy Ernest Lee Jahncke, great-granddaughter of Lincoln's Secretary of War Edwin M. Stanton. A daughter and sister of Carnival Royalty, "Coco" Jahncke was born in 1915 on Twelfth Night (Jan. 6), official opening of the New Orleans Carnival season. That year her father was Rex, Lord of Misrule, King of Carnival. Small "Coco" received a scroll designating her Princess Royal. In 1929 her mother, Cora Van Voorhis...
...tale told by Playwright Harris, sister of Producer Jed Harris, and her collaborator concerns an economist who is misunderstood by his actress wife but profoundly appreciated by the New Deal and a female book reviewer of The New Republic. All hands agree to a collusive divorce, necessitating the employment of a professional corespondent, an honest girl from Tenth Avenue (Miss Conklin). The drama then resolves itself into the following questions: Will Miss Conklin put on the pink pajamas? If so, will she get into bed with Actor James Rennie? If so, will she spend the night? If so, will...
...Chaplin, The Milky Way might have been a shade funnier if Producer Lloyd had cast someone other than himself in the leading role. Burleigh Sullivan (Lloyd), a craven milkwagon driver who, in order to preserve his feeble physique, has perfected the art of ducking punches, tries to rescue his sister (Helen Mack) from two drunks. When he ducks a punch from one of the drunks, it knocks out the other, who turns out to be Middleweight Champion "Speed"' MacFarland. Acclaimed for the knockout, Burleigh is urged by MacFarland's manager (Adolphe Menjou) to try prizefighting professionally. He accepts...
Claudia had been a bossy girl, a domineering young woman. She had never forgiven her sister Anna for breaking away, marrying a rich husband and going her own gait. She had bought a country place she could not really afford, because it was her childhood home, and she secretly wanted her children to be molded into her shape. Claudia prided herself on being a modern mother, and most of all on her absolute honesty. She loved to analyze herself before others, invite and apparently accept criticism of her infallible conduct-and then go on exactly as before...