Word: sisterly
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Dates: during 1950-1959
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...night in the house. Aunt Agatha dies in Elsa's arms, first giving her a packet containing many previously hidden poems of Alison's. The poems disclose all of the details of the starcrossed love affair, and the father of the family tries to burn them, to "protect my sister." But the sense and compassion of Elsa, who has suffered through the same type of romance that Alison had, saves the poems for the world. It's as banal as that. To make matters worse it has some totally unactable lines, such as one that one of the members...
...film appears as the most reverent and sensitive interpretation of Roman Catholic convent life yet given movie-goers. It towers above those stereotyped Roman Catholic nuns and priests perpetuated in Going My Way and Come to the Stable. It would be no surprise if Audrey Hepburn, who plays Sister Luke, and director Fred Zinnemann were given Academy Awards for their contributions to this film, which should become a Hollywood classic...
There is little joy in the film because there is little joy in the book. Sister Luke rarely smiles. Where is the laughter of convent gardens, which has been called "the purest in the world"? After many years in which Sister Luke makes a grim effort to be a perfect nun and instead becomes a perfect nurse, she leaves her convent. The conflict as to "why" is not stressed so strongly in the film as in the book; the audience is left to ponder the "why." Her confessor in a darkened confessional scene tells Sister Luke that...
Dame Edith Evans as the sympathetic superior general is superb, and she adds a warm human element to the austerity of the film. Peter Finch, the atheistic doctor in the Congo, rattles Sister Luke with his outbursts that question her vocation to be a nun and needle her about her religion and convent rule. Peter Finch and Dean Jagger as Sister Luke's surgeon-father are both excellent contrasting contributors to the nun's saga...
They joked about father and Freud, about mother and masochism, about sister and sadism. They delightedly told of airline pilots' throwing out a few passengers to lighten the load, of a graduate school for dope addicts, of parents so loving that they always "got upset if anyone else made me cry." They attacked motherhood, childhood, adulthood, sainthood. And in perhaps a dozen nightclubs across the country-from Manhattan's Den to Chicago's Mr. Kelly's to San Francisco's hungry i-audiences paid stiff prices to soak it up. For the "sick" comedians, life...