Word: sisterly
(lookup in dictionary)
(lookup stats)
Dates: during 1960-1969
Sort By: most recent first
(reverse)
...MOVIE NIGHT SPECIAL (ABC, 9-11 p.m.).* Truman Capote's TV version of the 1944 film Laura, starring Jackie's sister, Lee Bouvier Radziwill. Repeat...
...Kennedy ran for the Senate in 1952." Since Bobby's March 16 announcement, all the clan from Rose to Freckles, the Senator's Irish spaniel, has swarmed across the landscape to pursue voters. While Brother-in-Law Stephen Smith and Brother Teddy manage campaign logistics and strategy, Sisters Jean and Pat, Sister-in-Law Joan and Cousin Polly Fitzgerald descend upon the distaff electorate. Materfamilias Rose is one of the wonders of the campaign. "Look at those legs," marveled a 70-year-old man in Los Angeles. Bobby kids her by telling audiences: "My mother has worked...
...White Sister, Black Cat. This new book is further evidence that as a fictioneer Baldwin is in great danger of becoming drearily irrelevant. Tell Me How Long the Train's Been Gone rambles like a milk train over the same run that Baldwin covered in Another Country, creaks over the same hard ground, sounds the same blast about the Negro's condition, rattles the same rationale for homosexuality: "My terrible need to lie down, to breathe deep, to weep long and loud, to be held in human arms, almost any human arms, to hide my face...
...reader must bear with him through a convalescence plagued by interminable flashbacks. There is a Harlem boyhood that includes an incestuous homosexual interlude with his older brother. This is followed by a pre-hippie East Village adolescence during which Leo begins to forge a lasting black-brother, white-sister relationship with Barbara King, a Kentucky-born actress. And finally comes the highly satisfactory love affair with Christopher, a natty young militant black cat. The most important thematic progression to be noted in this work is that for the first time in a Baldwin novel, black man gets black...
...well until the great director Ivan Vasilievich-an obvious takeoff on Stanislavsky-gets hold of the script. He is an autocratic dramacide whose ears reject all utterances not made by himself. He has a few suggestions for Maxudov's play: the hero must be stabbed, not shot; the sister must be rewritten as a mother, and so on. Maxudov refuses to make the changes and sadly returns to the Shipping Gazette...