Search Details

Word: sit (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
Sort By: most recent first (reverse)


Usage:

...others, like Jeff Wells, Edsa Takkanen, Penny DeMoss and Kim Merritt, the garage was a place to sit and contemplate what it was that made the difference between a win and just a good effort...

Author: NO WRITER ATTRIBUTED | Title: Agony, Ecstasy and Ambivalence | 4/18/1978 | See Source »

...each night. Yet Holocaust demonstrates that TV's built-in limitations can become assets: they can make difficult material more accessible to a mass audience. It is hard to imagine Holocaust being so effective in another format. Were the show exhibited in movie theaters, no one would sit still for its 9½-hour running time. Were it produced for PBS, Holocaust would probably be drowned in a sea of historical minutiae. By creating their show for NBC, the authors have forced themselves to be equally responsive to the demands of both prime-time show biz and historical accuracy...

Author: /time Magazine | Title: Television: Reliving the Nazi Nightmare | 4/17/1978 | See Source »

...discovery of his emotional insulation, never digging any deeper into the roots of his fears--you know, the primal stuff. Tribute winds up pat and tidy, without plunging us into the existential abyss that can make this sort of thing a real corker. The tragedy of the American sit-com writer has turned out awfully shallow. This bathos gives Jack Lemmon his star turn: fast-food epiphany, downstage center. Neither he nor Slade really needed this--although it must be fun to break down onstage. Tribute slobbers when it ought only to quiver; the mask comes off and the jelly...

Author: By David B. Edelstein, | Title: If You Have a Lemmon, Make Tribute | 4/17/1978 | See Source »

Tribute is a rich play, not brilliant but solid. The characters who surround the protagonist--his sympathetic ex-wife, tolerant, devoted doctor, et al--are stock, but Slade fuses each of them with life. As a one-time writer of sit-coms (over 100, it is reported), he must have learned how to play around with stereotypes, searching for that one little crack of humanity in which to insert his fingers, opening the character up. Scottie's business partner, for example, is a huggable, Jewish, Lou Jacobi-type (warmly played by A. Larry Haines), the character who kids in plays...

Author: By David B. Edelstein, | Title: If You Have a Lemmon, Make Tribute | 4/17/1978 | See Source »

...both the union and the University remained calm. They acknowledged that differences still existed, but said the two sides had to "resolve all the issues at the bargaining table." Reassignment still existed, and the workers were still unhappy with the policy; but everyone had decided it was time to sit down and talk...

Author: By Mark D. Director, | Title: Where There's Smoke There's Fire | 4/14/1978 | See Source »

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