Word: sitcomming
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...style "Who Wants to be a Millionaire," the networks are, with few exceptions, staying safely inside the envelope. Which means this year's fall lineup practically looks like a "Nick at Nite" schedule, filled with time-machine journeys to TV formats past: Bette Midler doing a Jack Benny?style sitcom (debuting Oct. 11) about herself, Aaron Spelling doing an '80s-style prime-time soap, CBS giving us the second remake of "The Fugitive," and the WB giving us "Hype," a "revolutionary" sketch-comedy show that looks, well, pretty much life every other sketch-comedy show to debut in the last...
...Tucker (NBC, 8:30 p.m.) Let it not be said that this story about a hormonally charged boy and his wacky family is an unoriginal rip-off of "Malcolm in the Middle." No, in an innovative twist, the makers of this sitcom deftly took out everything imaginative, funny and good-hearted about "Malcolm," replacing it with insult comedy and erection jokes. As the title child, Eli Marienthal is the most irritating kid on television since Hallie Eisenberg made her first Pepsi commercial. If this series lasts more than two episodes, somebody needs to be horsewhipped...
...This choleric temperament would define Cleese's post-Flying Circus personality: as Basil Fawlty in his Fawlty Towers sitcom; as the martinet sergeant in the film of Peter Nichols' Privates on Parade; and, right now, in Spamalot, as the Voice of God. When Arthur cravenly compliments Him on the notion of a quest for the Grail, Cleese the Almighty bellows in that distinct and cutting tenor: "Of course it's a good idea. I'm God, you stupid...
Before he became the Jimmy Stewart--like gentleman of sitcom, Newhart was a stand-up sensation. His 1960 LP, The Button-Down Mind of Bob Newhart, went to No. 1 and won a Grammy for Album of the Year. The old bits, in which he would play one side of an increasingly strained conversation, still had their gentle, exasperated wit when he did them, word for word, in a 1992 Showtime special. "I know some of you know these routines by heart," he told his audience, "but it throws me off to watch your lips move along with mine...
...might assume that 30 Rock, the sitcom, is the more lightweight show. But Fey began comedy writing with Chicago's Second City troupe, where, she says, "your starting place was always current events and social issues." Her hit movie Mean Girls was a mainstream feminist entertainment that was steeped in ideas but not overwhelmed by them. And 30 Rock is at heart about the race-class-gender triangle among its three leads: Liz, a talented but headstrong woman; Jack, a conservative suit who's not as dumb as Liz wishes he were; and Tracy, a loony--but cannily so--black...