Word: sith
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TIME's film critic Richard Corliss said Lucas' Star Wars: Episode III--Revenge of the Sith was "the most popular live-action digital movie in history." It didn't win any Oscars, however, and that's because it was horrible, not because of some conspiracy against digital technology on the part of the Academy of Motion Picture Arts and Sciences. All the technical achievement in the world can't make up for a horrendously bad script...
...paper. I let him do some pre-vis on the last film, on Sith. And he loved it, and he did it on War of the Worlds. So he has accepted that part now because it?s so much better...
...Hollywood establishment still has its shades drawn. In the Oscar show at the Kodak Theatre (named after a company that is crucially invested in the film-stock status quo), the most popular live-action digital movie in history, George Lucas' Star Wars: Episode III--Revenge of the Sith, won no awards, not even one for technical achievement. The year's boldest, most innovative digital experiment, Robert Rodriguez and Frank Miller's Sin City, got no nominations...
...independent directors are. Many of them have used digital equipment for years. Steven Soderbergh shot his indie movie Bubble with the same camera, a Sony F950, that Lucas used on Sith and Rodriguez on Sin City. And indie imp-guru Kevin Smith (Clerks, Chasing Amy) notes, "There is a Panasonic camera, the 100, that gives a picture that's about as good-looking as 16-mm or 35-mm film. The kids today who are making their do-it-yourself features are doing it with high-definition video. If I was shooting Clerks today, I'd probably use that camera...
...force to the exhibitors' immovable object. In 2002, when he released Star Wars: Episode II--Attack of the Clones, he opened it on 63 digital screens in North America, along with the thousands of screens showing the film version, and declared that in three years, when Revenge of the Sith came out, it would play only digitally. He says he even offered the exhibitors a financial incentive: "It costs about $1,200 for a film print and about $200 for a digital print. So what you do is charge the distributor the same $1,200 they would ordinarily be charged...