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Though his choices may consist, as Garn says, of "no good alternatives," the options previously mulled and culled sound even worse. A plan called "Sea-sitter" envisioned pinioning minimissiles on a fleet of roving seaplanes. Other proposals would have made giant molehills out of mountains: one called for sticking the missiles inside mountains for protection, and another would have placed each missile at a peak's southern foot, thus providing a natural barrier wall, since the Pentagon expects the Soviet CBMs to come gliding in over the North Pole. The Continuous Air Alert Carrier sounds space age; in fact...

Author: /time Magazine | Title: MX'ed Feelings About Missiles | 7/20/1981 | See Source »

Today, 13 clever and elegant novels later, the question still stands. Loitering With Intent may be as close to an answer as Spark intends to give. Her heroine, Fleur Talbot, is an English writer not unlike herself starting out in a London bed-sitter three decades ago. She takes a job as secretary to a dotty group calling itself the Autobiographical Association, and quickly progresses from helping the members with grammar to embellishing and inventing the very lives they are recounting...

Author: /time Magazine | Title: Books: Summer Reading | 7/6/1981 | See Source »

...Close. There is no more phlegmatic temperament in American art, or so one might think; the divine afflatus is reduced, in his paintings, to metered squirts from an air brush. His procedure for the big portraits that made his name in the 1970s never varied. First Close photographed the sitter, with a depth of field so short that there are blurs of focus in the distance from the eyeball to the tip of the nose, or from the edge of a Up to the lobe of the ear. Then he made color separations of the image and scaled...

Author: /time Magazine | Title: Art: Close, Closer, Closest | 4/27/1981 | See Source »

...observer's eye knows nothing of the sitters in advance. None of them is famous for being famous, except at the SoHo level of celebrity-some being, in fact, well-known artists, like the sculptor Richard Serra or the composer Philip Glass. Thus what Close proposes is a kind of portraiture diametrically opposite to Andy Warhol's images of Marilyn or Liz, where the painting, an icon of the Star, adapts itself to the intrusive power of repetition and generalization. With Close, there is no generalization at all. None of his faces has a role. There...

Author: /time Magazine | Title: Art: Close, Closer, Closest | 4/27/1981 | See Source »

...Dear Sitter: Send me a picture of Caroline and I'll tell you what...

Author: /time Magazine | Title: Press: Homespun Zaps and Zingers | 1/19/1981 | See Source »

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